Women In German Expressionism

Download or read book Women in German Expressionism written by Anke Finger and published by University of Michigan Press. This book was released on 2023-08-07 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection, for the first time, explores women’s self-conceptions and representations of women’s and gender roles in society in their own Expressionist works. How did women approach themes commonly considered to be characteristic of the Expressionist movement, and did they address other themes or aesthetics and styles not currently represented in the canon? Women in German Expressionism centers its analysis on gender, together with difference, ethnicity, intersectionality, and identity, to approach artworks and texts in more nuanced ways, engaging solidly established theoretical and sociohistorical approaches that enhance and update our understanding of the material under investigation. It moves beyond the masculine, “New Man,” viewpoint so firmly associated with German Expressionism and examines alternative, critical, and divergent interpretations of the changing world at the time. This collection seeks to broaden the theorization, scholarship, and reception of German Expressionism by—much belatedly—including works by women, and by shifting or redefining firmly established concepts and topics carrying only the imprint of male authors and artists to this day.

Download or read book A Companion to the Literature of German Expressionism written by Neil H. Donahue and published by Camden House. This book was released on 2005 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: New essays examining the complex period of rich artistic ferment that was German literary Expressionism.

Download or read book German Expressionism written by Rose-Carol Washton Long and published by Univ of California Press. This book was released on 1995-12-06 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An indispensable anthology that immediately renders its predecessors obsolete. With its gathering of public and private documents, it carries us through the rise and fall of one of the great upheavals of modern art."—Robert Rosenblum, New York University "These essays, including many previously unavailable in English, are rich with startling new insights into the German Expressionist psyche. Elucidating the artists' view of government, the role of women in modern society, and their own ambivalence about the effectiveness of abstract art, this anthology is essential reading for all scholars and students of twentieth-century art."—Joan Marter, author of Alexander Calder

Download or read book Three German Women written by Erika Esau and published by Cambridge Scholars Publishing. This book was released on 2021-05-11 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the life stories of three women of the German-speaking realm whose lives inspired the author directly: mathematician Maria Weber Steinberg (1919-2013); journalist Irmgard Rexroth-Kern (1907-1983); and Viennese art historian Fr. Dr. Anna von Spitzmüller (1903-2001). The lives of these three women serve as emotional mirrors to the cultural transformations and tumultuous history of the 20th century. Their stories tell of the hardships, struggles, and victories of intellectual European women in this era. Each woman was related to men who played a prominent role in European cultural life, men who received some recognition in history books. As intellectual professionals, these women, in contrast, received very few public accolades for their important achievements. Placing them in the cultural context of the times in Germany and Austria, the book highlights the traumatic choices imposed on ordinary people by political and social circumstances over which they had no control. Along with the women’s individual stories, the chapters focus on overarching themes, including educated women’s roles in European society, narratives of perseverance in confronting Nazism, and specific historical background describing the incidents affecting their life trajectories.

Download or read book German Expressionism written by Jill Lloyd and published by . This book was released on 1991 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Primitivism versus modernity: the expressionist dilemma - Politics of primitivism - Brucke bathers: back to nature - Max Pechstein's visionary ideas - Emil Nolded.

Download or read book The Visual Arts in Germany, 1890-1937 written by Shearer West and published by Manchester University Press. This book was released on 2000 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.

Download or read book German Expressionism and the Messianism of a Generation written by Lisa Marie Anderson and published by BRILL. This book was released on 2011-01-01 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reads messianic expectation as the defining characteristic of German culture in the first decades of the twentieth century. It has long been accepted that the Expressionist movement in Germany was infused with a thoroughly messianic strain. Here, with unprecedented detail and focus, that strain is traced through the work of four important Expressionist playwrights: Ernst Barlach, Georg Kaiser, Ernst Toller and Franz Werfel. Moreover, these dramatists are brought into new and sustained dialogues with the theorists and philosophers of messianism who were their contemporaries: Walter Benjamin, Ernst Bloch, Martin Buber, Hermann Cohen, Gershom Scholem. In arguing, for example, that concepts like Bloch’s utopian self-encounter (Selbstbegegnung) and Benjamin’s messianic now-time (Jetztzeit) reappear as the framework for Expressionism’s staging of collective redemption in a new age, Anderson forges a previously underappreciated link in the study of Central European thought in the early twentieth century.