Voicing Gender

Download or read book Voicing Gender written by Naomi André and published by Indiana University Press. This book was released on 2006-02-13 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documents the changes in approaches to gender in opera in the early 19th century.

Download or read book Voicing Gender written by Naomi Adele André and published by Indiana University Press. This book was released on 2006 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documents the changes in approaches to gender in opera in the early 19th century.

Download or read book Gender Voices written by David Graddol and published by Blackwell Publishing. This book was released on 1989 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Does the language we speak create and sustain a sexist culture? This controversial and exciting proposal has fascinated feminists, psychologists and linguists alike for well over a decade. The authors of Gender Voices explore in a clear and comprehensive manner the idea that language shapes individual lives-that through our speech we all help recreate gender divisions in society. Their introductory chapter establishes the relationship between language and social structure. Chapter 2 explores the human voice and traditional notions of 'femininity', 'masculinity' and sexuality. Subsequent chapters analyze differences between women and men in pronunciation and choice of words; discourse patterns and power relationships; the sexist structure of language; and language consciousness. The possibilities for social and linguistic change are examined in the final chapters.

Download or read book The Cambridge Companion to Boccaccio written by Guyda Armstrong and published by Cambridge University Press. This book was released on 2015-07-09 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major re-evaluation of Boccaccio's status as literary innovator and cultural mediator equal to that of Petrarch and Dante.

Download or read book Gendered Voices written by Catherine M. Mooney and published by University of Pennsylvania Press. This book was released on 2016-01-14 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: "These studies . . . not only illuminate the past with a fierce and probing light but also raise, with nuance and power, fundamental issues of interpretation and method."—from the Foreword, by Caroline Walker Bynum Female saints, mystics, and visionaries have been much studied in recent years. Relatively little attention has been paid, however, to the ways in which their experiences and voices were mediated by the men who often composed their vitae, served as their editors and scribes, or otherwise encouraged, protected, and collaborated with the women in their writing projects. What strategies can be employed to discern and distinguish the voices of these high and late medieval women from those of their scribes and confessors? In those rare cases where we have both the women's own writings and writings about them by their male contemporaries, how do the women's self-portrayals diverge from the male portrayals of them? Finally, to what extent are these portrayals of sanctity by the saints and their contemporaries influenced not so much by gender as by genre? Catherine Mooney brings together a distinguished group of contributors who explore these and other issues as they relate to seven holy women and their male interpreters and one male saint who claims to incorporate the words of a female follower in an account of his own life.

Download or read book Voicing Women written by Kate Chedgzoy and published by Pittsburgh, Pa. : Duquesne University Press. This book was released on 1997 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume represents an important contribution to the growing field of feminist criticism and theory in relation to Renaissance texts. As well as offering fresh, theoretically inspired readings of women writers, it also brings new material to light, in some cases offering the first major critical discussion of the works of such lesser-known writers as Dionys Fitzherbert.

Download or read book Enjoying the Operatic Voice: A Neuropsychoanalytic Exploration of the Operatic Reception Experience written by Carlo Zuccarini and published by Vernon Press. This book was released on 2019-03-30 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: There has been a long-standing and mutually-informing association between psychoanalysis, literature and the arts. Surprisingly, given the oral/aural basis of the ‘talking cure’, music has largely been overlooked by psychoanalysis. Notably, neuroscientific research investigating music reception and production has been steadily increasing in range and scope over the years. However, in order to avoid confounding factors, empirical studies have focused primarily on non-vocal music. Remarkably, operatic vocal music has not featured prominently in either field. Yet the multi-dimensional, multi-layered nature of opera, which fuses together a number of different arts, would appear to provide fertile soil for both disciplines. This book aims to fill that gap, providing a stepping stone for further research. It leverages the individual strengths of psychoanalysis and neuroscience both separately and jointly as the inter-discipline of neuropsychoanalysis. By combining various theories of mind with knowledge about music processing in the brain, this book comprehensively examines the operatic reception experience, providing an account in subjective as well as objective terms. It explores the bittersweet enjoyment of operatic vocal music, which can literally move an operaphile to tears. The explanation for this may be found in a number of subjective dynamics that are unique to the reception of opera, rather than in any distinct objective neural processes, which are common to the reception of all music. These subjective dynamics, which are recruited during neural processing, are triggered by the equally unique features of the operatic voice, in combination with a number of auxiliary elements that are specific to opera. This book will be of interest to academics in a broad range of science and arts disciplines related to music perception and performance, such as music psychology and operatic performance. It may also appeal to passionate operaphiles who wish to understand what drives their addiction!