Visuality In The Theatre

Download or read book Visuality in the Theatre written by M. Bleeker and published by Springer. This book was released on 2008-04-17 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents an exploration of the under-explored terrain of visuality, demonstrating the use of new theoretical insights into vision for the analysis of theatre and performance and simultaneously shows theatre and performance to be an excellent 'theoretical object' for exploring the cultural, historical and embodied character of visuality.

Download or read book Theatre and The Visual written by Dominic Johnson and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre & the Visual argues that theatre studies' preoccupation with problems arising from textual analysis has compromised a fuller, political consideration of the visual. Johnson examines the spectator's role in the theatre, exploring pleasure, difficulty and spectacle, to consider the implications for visual experience in the theatre.

Download or read book The Visual Life of Romantic Theater, 1780-1830 written by Diane Piccitto and published by University of Michigan Press. This book was released on 2023-05-24 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.

Download or read book Troubling Vision written by Nicole R. Fleetwood and published by University of Chicago Press. This book was released on 2011-01-30 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nicole R. Fleetwood explores how blackness is seen as a troubling presence in the field of vision and the black body is persistently seen as a problem. She examines a wide range of materials from visual and media art, documentary photography theatre, performance and more.

Download or read book Seenography: Essays on the Meaning of Visuality in Performance Events written by Andrew Cope and published by BRILL. This book was released on 2019-01-04 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Trauma and Visuality in Modernity written by Lisa Saltzman and published by UPNE. This book was released on 2006 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays exploring the role of trauma in modern art.

Download or read book Narrating the Visual in Shakespeare written by Richard Meek and published by Routledge. This book was released on 2017-03-02 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines Shakespeare's fascination with the art of narrative and the visuality of language. Richard Meek complicates our conception of Shakespeare as either a 'man of the theatre' or a 'literary dramatist', suggesting ways in which his works themselves debate the question of text versus performance. Beginning with an exploration of the pictorialism of Shakespeare's narrative poems, the book goes on to examine several moments in Shakespeare's dramatic works when characters break off the action to describe an absent, 'offstage' event, place or work of art. Meek argues that Shakespeare does not simply prioritise drama over other forms of representation, but rather that he repeatedly exploits the interplay between different types of mimesis - narrative, dramatic and pictorial - in order to beguile his audiences and readers. Setting Shakespeare's works in their literary and rhetorical contexts, and engaging with contemporary literary theory, the book offers new readings of Venus and Adonis, The Rape of Lucrece, Hamlet, King Lear and The Winter's Tale. The book will be of particular relevance to readers interested in the relationship between verbal and visual art, theories of representation and mimesis, Renaissance literary and rhetorical culture, and debates regarding Shakespeare's status as a literary dramatist.