Unsettling Opera

Unsettling Opera
Author :
Publisher : University of Chicago Press
Total Pages : 276
Release :
ISBN-10 : 9780226475257
ISBN-13 : 0226475255
Rating : 4/5 (57 Downloads)

Book Synopsis Unsettling Opera by : David J. Levin

Download or read book Unsettling Opera written by David J. Levin and published by University of Chicago Press. This book was released on 2008-11-15 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happens when operas that are comfortably ensconced in the canon are thoroughly rethought and radically recast on stage? What does a staging do to our understanding of an opera, and of opera generally? While a stage production can disrupt a work that was thought to be established, David J. Levin here argues that the genre of opera is itself unsettled, and that the performance of operas, at its best, clarifies this condition by bringing opera’s restlessness and volatility to life. Unsettling Opera explores a variety of fields, considering questions of operatic textuality, dramaturgical practice, and performance theory. Levin opens with a brief history of opera production, opera studies, and dramatic composition, and goes on to consider in detail various productions of the works of Wagner, Mozart, Verdi, and Alexander Zemlinsky. Ultimately, the book seeks to initiate a dialogue between scholars of music, literature, and performance by addressing questions raised in each field in a manner that influences them all.

Deviant Opera

Deviant Opera
Author :
Publisher : University of California Press
Total Pages : 275
Release :
ISBN-10 : 9780520343252
ISBN-13 : 0520343255
Rating : 4/5 (52 Downloads)

Book Synopsis Deviant Opera by : Axel Englund

Download or read book Deviant Opera written by Axel Englund and published by University of California Press. This book was released on 2020-10-06 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imagine Armida, Handel’s Saracen sorceress, performing her breakneck coloraturas in a black figure-hugging rubber dress, beating her insubordinate furies into submission with a cane, suspending a captive Rinaldo in chains from the ceiling of her dungeon. Mozart’s peasant girl Zerlina, meanwhile, is tying up and blindfolding her fiancé to seduce him out of his jealousy of Don Giovanni. And how about Wagner’s wizard, Klingsor, ensnaring his choir of flower maidens in elaborate Japanese rope bondage? Opera, it would appear, has developed a taste for sadomasochism. For decades now, radical stage directors have repeatedly dressed canonical operas—from Handel and Mozart to Wagner and Puccini, and beyond—in whips, chains, leather, and other regalia of SM and fetishism. Deviant Opera seeks to understand this phenomenon, approaching the contemporary visual code of perversion as a lens through which opera focuses and scrutinizes its own configurations of sex, gender, power, and violence. The emerging image is that of an art form that habitually plays with an eroticization of cruelty and humiliation, inviting its devotees to take sensual pleasure in the suffering of others. Ultimately, Deviant Opera argues that this species of opera fantasizes about breaking the boundaries of its own role-playing, and pushing its erotic power exchanges from the enacted to the actual.

Opera in Performance

Opera in Performance
Author :
Publisher : Taylor & Francis
Total Pages : 199
Release :
ISBN-10 : 9781000439885
ISBN-13 : 1000439887
Rating : 4/5 (85 Downloads)

Book Synopsis Opera in Performance by : Clemens Risi

Download or read book Opera in Performance written by Clemens Risi and published by Taylor & Francis. This book was released on 2021-09-27 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera. This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.

Opera as Hypermedium

Opera as Hypermedium
Author :
Publisher : Oxford University Press
Total Pages : 240
Release :
ISBN-10 : 9780190091286
ISBN-13 : 0190091282
Rating : 4/5 (86 Downloads)

Book Synopsis Opera as Hypermedium by : Tereza Havelková

Download or read book Opera as Hypermedium written by Tereza Havelková and published by Oxford University Press. This book was released on 2021-02-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the concept of hypermediacy from media studies, this book situates opera within the larger context of contemporary media practices, and particularly those that play up the multiplicity, awareness and enjoyment of media. It is driven by the underlying question of what politics of representation and perception opera performs within this context. This entails approaching operas as audiovisual events (rather than works or texts) and paying attention to what they do by visual means, along with the operatic music and singing. The book concentrates on events that foreground their use of media and technology, drawing attention to opera's inherently hypermedial aspects. It works with the recognition that such events nevertheless engender powerful effects of immediacy, which are not contingent on illusionism or the seeming transparency of the medium. It analyzes how effects like presence, liveness and immersion are produced, contesting some critical claims attached to them. It also sheds light on how these effects, often perceived as visceral or material in nature, are related to the production of meaning in opera. The discussion pertains to contemporary pieces such as Louis Andriessen and Peter Greenaway's Rosa and Writing to Vermeer, as well as productions of the canonical repertory such as Wagner's Ring Cycle by Robert Lepage at the Met and La Fura dels Baus in Valencia.

Feasting and Fasting in Opera

Feasting and Fasting in Opera
Author :
Publisher : University of Chicago Press
Total Pages : 336
Release :
ISBN-10 : 9780226804958
ISBN-13 : 022680495X
Rating : 4/5 (58 Downloads)

Book Synopsis Feasting and Fasting in Opera by : Pierpaolo Polzonetti

Download or read book Feasting and Fasting in Opera written by Pierpaolo Polzonetti and published by University of Chicago Press. This book was released on 2021-11-11 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Convivial beginnings. The symposium and the birth of opera ; The Renaissance banquet as multimedia art ; Orpheus at the cardinal's table ; Eating at the opera house -- "Tastes funny" : tragic and comic meals from Monteverdi to Mozart ; Comedy as embodiment in Monteverdi and Mozart ; The insatiable : tyrants and libertines ; Indulging in comic opera : gastronomy as identity -- The effects of feasting and fasting ; Coffee and chocolate from Bach to Puccini ; Verdi and the laws of gastromusicology ; The Callas diet.

Performing Homer: The Voyage of Ulysses from Epic to Opera

Performing Homer: The Voyage of Ulysses from Epic to Opera
Author :
Publisher : Routledge
Total Pages : 168
Release :
ISBN-10 : 9781317082415
ISBN-13 : 1317082419
Rating : 4/5 (15 Downloads)

Book Synopsis Performing Homer: The Voyage of Ulysses from Epic to Opera by : Wendy Heller

Download or read book Performing Homer: The Voyage of Ulysses from Epic to Opera written by Wendy Heller and published by Routledge. This book was released on 2019-07-23 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: The epic poems the Iliad and the Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse in patria. In Performing Homer: The Voyage of Ulysses from Epic to Opera, scholars in classics, drama, Italian literature, art history, and musicology explore the journey of Homer's Odyssey from ancient to modern times. The book traces the reception of the Odyssey though the Italian humanist sources—from Dante, Petrarch, and Ariosto—to the treatment of the tale not only by Monteverdi but also such composers as Elizabeth Jacquet de la Guerre, Gluck, and Alessandro Scarlatti, and the dramatic and poetic traditions thereafter by such modern writers as Derek Walcott and Margaret Atwood.

Opera as Art

Opera as Art
Author :
Publisher : Rowman & Littlefield
Total Pages : 219
Release :
ISBN-10 : 9781666914245
ISBN-13 : 166691424X
Rating : 4/5 (45 Downloads)

Book Synopsis Opera as Art by : Paul Thom

Download or read book Opera as Art written by Paul Thom and published by Rowman & Littlefield. This book was released on 2024-04-08 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of human life. Thom contends that in great operatic art, the narrative and expressive content collaborate with the work's aesthetic qualities towards achieving this aim. This argument can be extended to modern operatic productions. At their best, these stagings are works of art in themselves, whether they give faithful renditions of the operas they stage and whether their aims go beyond interpretation to commentary and critique. This book is a philosophical introduction to the key practices that comprise the world of opera: the making of the work; its interpretation by directors, critics, and spectators; and the making of an operatic production. Opera has always existed in a context of philosophical ideas, and this book is written for opera-lovers who would like to learn something about that philosophical context.