Theorizing Film Acting

Download or read book Theorizing Film Acting written by Aaron Taylor and published by Routledge. This book was released on 2012 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive collection provides theoretical accounts of the grounds and phenomenon of film acting. The volume features entries by some of the most prominent scholars on film acting who collectively represent the various theoretical traditions that constitute the discipline of film studies. Each section proposes novel ways of considering the recurring motifs in academic enquiries into film acting, including: (1) the mutually contingent problematic of description and interpretation, (2) the intricacies of bodily dynamics and their reception by audiences, (3) the significance of star performance, and (4) the impact of evolving technologies and film styles on acting traditions.

Download or read book Film Technique and Film Acting written by Vsevolod Illarionovich Pudovkin and published by Read Books Ltd. This book was released on 2013-04-16 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

Download or read book Theorizing Film Through Contemporary Art written by Jill Murphy and published by Amsterdam University Press. This book was released on 2020-09-29 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.

Download or read book Animating Film Theory written by Karen Redrobe and published by Duke University Press. This book was released on 2014-03-21 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi

Download or read book Star Studies written by Martin Shingler and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Martin Shingler presents the mother volume for Palgrave's Film Stars series in three easily-navigable chapters in which he provides a summative and instructive account of star studies for today's film student. Via a critical evaluation of the work of leading film scholars, he provides a convincing argument for howthis important area of film studies has evolved. Building on this, he offerssome new directions for star scholarship, and ends by offering the film student a useful set of themes and issues for his or her own investigation. 'Star Studies' is the perfect companion for the student who wishes to foster further research on stardom across a wide range of contexts, from national cinemas, to mainstream and marginal cinemas, to different historical periods and beyond.

Download or read book Give War a Chance written by P. J. O'Rourke and published by Open Road + Grove/Atlantic. This book was released on 2007-12-01 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The #1 New York Times bestseller from “one of America’s most hilarious and provocative writers . . . a volatile brew of one-liners and vitriol” (Time). Renowned for his cranky conservative humor, P. J. O’Rourke runs hilariously amok in this book, tackling the death of communism; his frustration with sanctimonious liberals; and Saddam Hussein in a series of classic dispatches from his coverage of the 1991 Gulf War. On Kuwait City after the war, he comments, “It looked like all the worst rock bands in the world had stayed there at the same time.” On Saddam Hussein, O’Rourke muses: “He’s got chemical weapons filled with . . . with . . . chemicals. Maybe he’s got The Bomb. And missiles that can reach Riyadh, Tel Aviv, Spokane. Stock up on nonperishable foodstuffs. Grab those Diet Coke cans you were supposed to take to the recycling center and fill them with home heating oil. Bury the Hummel figurines in the yard. We’re all going to die. Details at eleven.” And on the plague of celebrity culture, he notes: “You can’t shame or humiliate modern celebrities. What used to be called shame and humiliation is now called publicity.” Mordant and utterly irreverent, this is a modern classic from one of our great political satirists, described by Christopher Buckley as being “like S. J. Perelman on acid.” “Mocking on the surface but serious beneath . . . When it comes to scouting the world for world-class absurdities, O’Rourke is the right man for the job.” —Los Angeles Times Book Review “The funniest writer in America.” —The Wall Street Journal

Download or read book The Oxford Handbook of Film Theory written by Kyle Stevens and published by Oxford University Press. This book was released on 2022 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.