The Poetry Of The Medieval Troubadour William Ix Of Aquitaine

Download or read book The Poetry of the Medieval Troubadour, William IX of Aquitaine written by Fidel Fajardo-Acosta and published by Studies in Medieval Literature. This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An edition and study of the poetry of the first of the medieval European troubadours, this book claims William's songs are cornerstones of the modern western mind and culture, but also reveal the deep-seated problems and instability of structures built on a foundation of love and freedom of desires.

Download or read book The Poetry of the Medieval Troubadour, William IX of Aquitaine written by Fidel Fajardo-Acosta and published by Rowman & Littlefield. This book was released on 2023-08-15 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: An edition and study of the poetry of the first of the medieval European troubadours, this book claims William’s songs are cornerstones of the modern western mind and culture, but also reveal the deep-seated problems and instability of structures built on a foundation of love and freedom of desires.

Download or read book Troubadour Poems from the South of France written by William Doremus Paden and published by DS Brewer. This book was released on 2007 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Troubadours written by Simon Gaunt and published by Cambridge University Press. This book was released on 1999-06-28 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.

Download or read book Songbook written by Marisa Galvez and published by University of Chicago Press. This book was released on 2012-06-19 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.

Download or read book Troubadours and Love written by L. T. Topsfield and published by Cambridge University Press. This book was released on 1975-05-22 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first known troubadour, Guilhem IX of Aquitaine, VII Count of Poitou, was a versatile man who fought against the Moors in Spain, lost an army on his way to the First Crusade, and for a time, like his great-grandson Richard Cœur de Lion, possessed more land and power in France than the king himself. His poetry reflects the hatred of convention and love of the unexpected that marks his life. In its easy swing between self-mockery and seriousness, idealised love and bawdy laughter, it introduces into troubadour poetry a sense of conflict which, after Guilhem's death in 1127, found a different and wider expression in an opposition between the metaphysical poetry of troubadours who sang with 'dark', 'rich' words and the love songs of poets who composed in a clear, 'easy' style on the single plane of their courtly experience. Dr Topsfield examines the work of a number of the greatest troubadours from the viewpoint of their attitudes to love.

Download or read book Proensa written by George Economou and published by New York Review of Books. This book was released on 2017-01-10 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: It was out of medieval Provence—Proensa—that the ethos of courtly love emerged, and it was in the poetry of the Provençal troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical. The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn’s Proensa, George Economou writes, “will take its place among Gavin Douglas’ Aeneid, Golding’s Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley’s Japanese, and Pound’s Chinese, Italian, and Old English.”