The Oxford Handbook of Critical Improvisation Studies, Volume 2

The Oxford Handbook of Critical Improvisation Studies, Volume 2
Author :
Publisher : Oxford University Press
Total Pages : 592
Release :
ISBN-10 : 9780190627973
ISBN-13 : 0190627972
Rating : 4/5 (73 Downloads)

Book Synopsis The Oxford Handbook of Critical Improvisation Studies, Volume 2 by : George E. Lewis

Download or read book The Oxford Handbook of Critical Improvisation Studies, Volume 2 written by George E. Lewis and published by Oxford University Press. This book was released on 2016-08-22 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.

The Oxford Handbook of Critical Improvisation Studies

The Oxford Handbook of Critical Improvisation Studies
Author :
Publisher : Oxford University Press
Total Pages : 617
Release :
ISBN-10 : 9780195370935
ISBN-13 : 0195370937
Rating : 4/5 (35 Downloads)

Book Synopsis The Oxford Handbook of Critical Improvisation Studies by : George Lewis

Download or read book The Oxford Handbook of Critical Improvisation Studies written by George Lewis and published by Oxford University Press. This book was released on 2016 with total page 617 pages. Available in PDF, EPUB and Kindle. Book excerpt: V. 1. Cognitions -- v. 2. Critical theories

The Oxford Handbook of Critical Improvisation Studies, Volume 1

The Oxford Handbook of Critical Improvisation Studies, Volume 1
Author :
Publisher : Oxford University Press
Total Pages : 608
Release :
ISBN-10 : 9780190627966
ISBN-13 : 0190627964
Rating : 4/5 (66 Downloads)

Book Synopsis The Oxford Handbook of Critical Improvisation Studies, Volume 1 by : George E. Lewis

Download or read book The Oxford Handbook of Critical Improvisation Studies, Volume 1 written by George E. Lewis and published by Oxford University Press. This book was released on 2016-08-22 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.

The Oxford Handbook of Critical Improvisation Studies

The Oxford Handbook of Critical Improvisation Studies
Author :
Publisher : Oxford University Press
Total Pages : 601
Release :
ISBN-10 : 9780199892921
ISBN-13 : 019989292X
Rating : 4/5 (21 Downloads)

Book Synopsis The Oxford Handbook of Critical Improvisation Studies by : George Lewis

Download or read book The Oxford Handbook of Critical Improvisation Studies written by George Lewis and published by Oxford University Press. This book was released on 2016 with total page 601 pages. Available in PDF, EPUB and Kindle. Book excerpt: V. 1. Cognitions -- v. 2. Critical theories

The Oxford Handbook of Mobile Music Studies, Volume 2

The Oxford Handbook of Mobile Music Studies, Volume 2
Author :
Publisher : Oxford University Press
Total Pages : 545
Release :
ISBN-10 : 9780199913657
ISBN-13 : 019991365X
Rating : 4/5 (57 Downloads)

Book Synopsis The Oxford Handbook of Mobile Music Studies, Volume 2 by : Sumanth Gopinath

Download or read book The Oxford Handbook of Mobile Music Studies, Volume 2 written by Sumanth Gopinath and published by Oxford University Press. This book was released on 2014-03 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 2 investigates the ramifications of mobile music technologies on musical/sonic performance and aesthetics. Two core arguments are that "mobility" is not the same thing as actual "movement" and that artistic production cannot be absolutely sundered from the performances of quotidian life. The volume's chapters investigate the mobilization of frequency range by sirens and miniature speakers; sound vehicles such as boom cars, ice cream trucks, and trains; the gestural choreographies of soundwalk pieces and mundane interactions with digital media; dance music practices in laptop and iPod DJing; the imagery of iPod commercials; production practices in Turkish political music and black popular music; the aesthetics of handheld video games and chiptune music; and the mobile device as a new musical instrument and resource for musical ensembles.

The Routledge Handbook of Philosophy and Improvisation in the Arts

The Routledge Handbook of Philosophy and Improvisation in the Arts
Author :
Publisher : Routledge
Total Pages : 1133
Release :
ISBN-10 : 9781000397840
ISBN-13 : 100039784X
Rating : 4/5 (40 Downloads)

Book Synopsis The Routledge Handbook of Philosophy and Improvisation in the Arts by : Alessandro Bertinetto

Download or read book The Routledge Handbook of Philosophy and Improvisation in the Arts written by Alessandro Bertinetto and published by Routledge. This book was released on 2021-07-22 with total page 1133 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last few decades, the notion of improvisation has enriched and dynamized research on traditional philosophies of music, theatre, dance, poetry, and even visual art. This Handbook offers readers an authoritative collection of accessible articles on the philosophy of improvisation, synthesizing and explaining various subjects and issues from the growing wave of journal articles and monographs in the field. Its 48 chapters, written specifically for this volume by an international team of scholars, are accessible for students and researchers alike. The volume is organized into four main sections: I Art and Improvisation: Theoretical Perspectives II Art and Improvisation: Aesthetical, Ethical, and Political Perspectives III Improvisation in Musical Practices IV Improvisation in the Visual, Narrative, Dramatic, and Interactive Arts Key Features: Treats improvisation not only as a stylistic feature, but also as an aesthetic property of artworks and performances as well as a core element of artistic creativity. Spells out multiple aspects of the concept of improvisation, emphasizing its relevance in understanding the nature of art. Covers improvisation in a wide spectrum of artistic domains, including unexpected ones such as literature, visual arts, games, and cooking. Addresses key questions, such as: - How can improvisation be defined and what is its role in different art forms? - Can improvisation be perceived as such, and how can it be aesthetically evaluated? - What is the relationship between improvisation and notions such as action, composition, expressivity, and authenticity? - What is the ethical and political significance of improvisation?

The Oxford Handbook of Sound and Imagination, Volume 1

The Oxford Handbook of Sound and Imagination, Volume 1
Author :
Publisher : Oxford University Press
Total Pages : 877
Release :
ISBN-10 : 9780190460181
ISBN-13 : 0190460180
Rating : 4/5 (81 Downloads)

Book Synopsis The Oxford Handbook of Sound and Imagination, Volume 1 by : Mark Grimshaw-Aagaard

Download or read book The Oxford Handbook of Sound and Imagination, Volume 1 written by Mark Grimshaw-Aagaard and published by Oxford University Press. This book was released on 2019-07-26 with total page 877 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.