The Lied At The Crossroads Of Performance And Musicology

Download or read book The Lied at the Crossroads of Performance and Musicology written by Benjamin Binder and published by Cambridge University Press. This book was released on 2024-02-15 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments – such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery.

Download or read book The Lied at the Crossroads of Performance and Musicology written by Jennifer Ronyak and published by Cambridge University Press. This book was released on 2023-12-31 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Leading musicologists and prominent German Lied performers collectively reveal productive connections between their two approaches, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery. Investigates how historical, cultural and aesthetic research offer new perspectives on this important repertoire"--

Download or read book Baudelaire in Song written by Helen Abbott and published by Oxford University Press. This book was released on 2017-11-03 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, métricométrie, and cognitive neuroscience. It also draws on other resources-whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage model. The assemblage model has two key stages of analysis. The first stage examines the bonds formed between the multiple layers that make up a song setting (including metre/prosody, form/structure, sound repetition, semantics, and live performance options). The second stage considers the overall outcome of each song in terms of the intensity or stability of the words and music present in a song (accretion/dilution). Taking the work of the major nineteenth-century French poet Charles Baudelaire (1821-67) as its main impetus, the volume examines how Baudelaire's poetry has inspired composers of all genres across the globe, from the 1860s to the present day. The case studies focus on Baudelaire song sets by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, it tests out the assemblage model to uncover what happens to Baudelaire's poetry when it is set to music. It factors in the realities of song as a live performance genre, and reveals which parameters of song emerge as standard for French text-setting, and where composers diverge in their approach.

Download or read book Intimacy, Performance, and the Lied in the Early Nineteenth Century written by Jennifer Ronyak and published by Indiana University Press. This book was released on 2018-09-10 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

Download or read book The Song Cycle written by Laura Tunbridge and published by Cambridge University Press. This book was released on 2010 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --

Download or read book Words and Music written by Deborah Fillerup Weagel and published by Peter Lang. This book was released on 2010 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction -- Musical contrast in Albert Camus' L'étranger -- Musical counterpoint in Albert Camus' L'étranger -- Musical qualities in Samuel Beckett's En attendant Godot -- Silence in John Cage and Samuel Beckett : 4' 33" and En attendant Godot -- John Cage's collaboration of words and music in the song books -- The edited performance : Glenn Gould's solitude trilogy -- Musical and verbal counterpoint in two short films about Glenn Gould.

Download or read book The Cambridge Companion to Schubert's ‘Winterreise' written by Marjorie W. Hirsch and published by Cambridge University Press. This book was released on 2021-02-04 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible multi-disciplinary exploration of Franz Schubert's haunting late song cycle Winterreise (1827) that combines context and different analytical approaches.