The First Book Of Toccatas And Partitas Volume I

Download or read book The First Book of Toccatas and Partitas, Volume I written by Girolamo Frescobaldi and published by Alfred Music. This book was released on 1999-12-21 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expertly arranged toccatas and partitas for organ or cembalo.

Download or read book The First Book of Toccatas and Partitas, Volume II written by Girolamo Frescobaldi and published by Alfred Music. This book was released on 1999-12-21 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expertly arranged Organ Collection by Girolamo Frescobaldi from the Kalmus Edition series. These Toccatas are from the Baroque era.

Download or read book Guide to the Pianist's Repertoire, third edition written by Maurice Hinson and published by Indiana University Press. This book was released on 2001-05-22 with total page 986 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.

Download or read book Collection of Studies, Scales, and Passages written by Henri Herz and published by Alfred Music. This book was released on 1996-02-01 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of exercises, for Piano, composed by Henri Herz.

Download or read book Perspectives on Early Keyboard Music and Revival in the Twentieth Century written by Rachelle Taylor and published by Routledge. This book was released on 2017-12-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.

Download or read book The Toccata Styles of Frescobaldi and Froberger written by Caitlin St. John and published by . This book was released on 1991 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music in the Baroque World written by Susan Lewis Hammond and published by Routledge. This book was released on 2015-09-15 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries. It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques. It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis. The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music. Features An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance A selection of historical documents at the end of each chapter that position musical works and events in their cultural context Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors A global perspective with a chapter on Music in the Americas A companion score anthology and website with links to audio/video content of key performances and research and writing guides Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing. It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.