The Federal Theatre Project

Download or read book The Federal Theatre Project written by Barry Witham and published by Cambridge University Press. This book was released on 2003-09-25 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s.

Download or read book Federal Theatre, 1935-1939 written by Jane DeHart Mathews and published by Princeton University Press. This book was released on 2015-03-08 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: The WPA Theatre Project-conceived as a relief measure, a work program, and an artistic experiment-enjoyed a brief but lively existence. With skill and sensitivity Mrs. Mathews explores its turbulent history from its ambiguous origins in 1935 to its tragic demise in 1939. The book recreate: the atmosphere of the era, and conveys a vivid sense of the Joys, frustrations, and personal sacrifices undergone by those dedicated few who recognized the need for an American People's Theatre.. Mrs. Mathews also provides a detailed account of the Congressional hearings which occasioned the disbanding of the. Project, and a fascinating portrait of Hallie Flanagan, the Projects colorful National Director. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Download or read book The Federal Theatre Project Collection written by Library of Congress. Manuscript Division and published by . This book was released on 1987 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Federal Theatre Project in the American South written by Cecelia Moore and published by Lexington Books. This book was released on 2017-09-26 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Federal Theatre Project in the American South introduces the people and projects that shaped the regional identity of the Federal Theatre Project. When college theatre director Hallie Flanagan became head of this New Deal era jobs program in 1935, she envisioned a national theatre comprised of a network of theatres across the country. A regional approach was more than organizational; it was a conceptual model for a national art. Flanagan was part of the little theatre movement that had already developed a new American drama drawn from the distinctive heritage of each region and which they believed would, collectively, illustrate a national identity. The Federal Theatre plan relied on a successful regional model – the folk drama program at the University of North Carolina, led by Frederick Koch and Paul Green. Through a unique partnership of public university, private philanthropy and community participation, Koch had developed a successful playwriting program and extension service that built community theatres throughout the state. North Carolina, along with the rest of the Southern region, seemed an unpromising place for government theatre. Racial segregation and conservative politics limited the Federal Theatre’s ability to experiment with new ideas in the region. Yet in North Carolina, the Project thrived. Amateur drama units became vibrant community theatres where whites and African Americans worked together. Project personnel launched The Lost Colony, one of the first so-called outdoor historical dramas that would become its own movement. The Federal Theatre sent unemployed dramatists, including future novelist Betty Smith, to the university to work with Koch and Green. They joined other playwrights, including African American writer Zora Neale Hurston, who came to North Carolina because of their own interest in folk drama. Their experience, told in this book, is a backdrop for each successive generation’s debates over government, cultural expression, art and identity in the American nation.

Download or read book The Federal Theatre Project, 1935-1939 written by Rania Karoula and published by Edinburgh Critical Studies in. This book was released on 2022-08-18 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a comparative study of the history, performances and politics of the FTP by drawing and exposing further links between American modernism and its European counterparts.

Download or read book Voices from the Federal Theatre written by Bonnie Nelson Schwartz and published by Terrace Books. This book was released on 2003 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanying DVD contains the chapters: Who killed the Federal Theatre? -- Innovations: a selection of interviews -- Art and politics: a selection of interviews -- Selection of Federal Theatre posters -- Selection of Federal Theatre photographs.

Download or read book Radical Black Theatre in the New Deal written by Kate Dossett and published by UNC Press Books. This book was released on 2020-01-29 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.