The Death and Life of the Music Industry in the Digital Age

The Death and Life of the Music Industry in the Digital Age
Author :
Publisher : A&C Black
Total Pages : 245
Release :
ISBN-10 : 9781623560010
ISBN-13 : 1623560012
Rating : 4/5 (10 Downloads)

Book Synopsis The Death and Life of the Music Industry in the Digital Age by : Jim Rogers

Download or read book The Death and Life of the Music Industry in the Digital Age written by Jim Rogers and published by A&C Black. This book was released on 2013-05-09 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenges the conventional wisdom that the internet is 'killing' the music industry.

The Death and Life of the Music Industry in the Digital Age

The Death and Life of the Music Industry in the Digital Age
Author :
Publisher : A&C Black
Total Pages : 245
Release :
ISBN-10 : 9781780931265
ISBN-13 : 1780931263
Rating : 4/5 (65 Downloads)

Book Synopsis The Death and Life of the Music Industry in the Digital Age by : Jim Rogers

Download or read book The Death and Life of the Music Industry in the Digital Age written by Jim Rogers and published by A&C Black. This book was released on 2013-05-09 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.

Appetite for Self-Destruction

Appetite for Self-Destruction
Author :
Publisher : Simon and Schuster
Total Pages : 321
Release :
ISBN-10 : 9781416594550
ISBN-13 : 1416594558
Rating : 4/5 (50 Downloads)

Book Synopsis Appetite for Self-Destruction by : Steve Knopper

Download or read book Appetite for Self-Destruction written by Steve Knopper and published by Simon and Schuster. This book was released on 2009-01-06 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology. Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen. With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, Appetite for Self-Destruction is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.

Popular Music as Promotion

Popular Music as Promotion
Author :
Publisher : John Wiley & Sons
Total Pages : 211
Release :
ISBN-10 : 9780745692234
ISBN-13 : 0745692230
Rating : 4/5 (34 Downloads)

Book Synopsis Popular Music as Promotion by : Leslie M. Meier

Download or read book Popular Music as Promotion written by Leslie M. Meier and published by John Wiley & Sons. This book was released on 2017-05-23 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Business-as-usual' has been transformed across the music industries in the post-CD age. Against widespread hype about the purported decline of the major music labels, this book provides a critique of the ways these companies have successfully adapted to digital challenges – and what is at stake for music makers and for culture. Today, recording artists are positioned as 'artist-brands' and popular music as a product to be licensed by consumer and media brands. Leslie M. Meier examines key consequences of shifting business models, marketing strategies, and the new 'common sense' in the music industries: the gatekeeping and colonization of popular music by brands. Popular Music as Promotion is important reading for students and scholars of media and communication studies, cultural studies and sociology, and will appeal to anyone interested in new intersections of popular music, digital media and promotional culture.

The Death of the Artist

The Death of the Artist
Author :
Publisher : Henry Holt and Company
Total Pages : 336
Release :
ISBN-10 : 9781250125521
ISBN-13 : 1250125529
Rating : 4/5 (21 Downloads)

Book Synopsis The Death of the Artist by : William Deresiewicz

Download or read book The Death of the Artist written by William Deresiewicz and published by Henry Holt and Company. This book was released on 2020-07-28 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.

Ripped

Ripped
Author :
Publisher : Simon and Schuster
Total Pages : 295
Release :
ISBN-10 : 9781416547310
ISBN-13 : 1416547312
Rating : 4/5 (10 Downloads)

Book Synopsis Ripped by : Greg Kot

Download or read book Ripped written by Greg Kot and published by Simon and Schuster. This book was released on 2010-05-11 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge.

The Architecture and Geography of Sound Studios

The Architecture and Geography of Sound Studios
Author :
Publisher : Taylor & Francis
Total Pages : 267
Release :
ISBN-10 : 9781040048214
ISBN-13 : 1040048218
Rating : 4/5 (14 Downloads)

Book Synopsis The Architecture and Geography of Sound Studios by : Even Smith Wergeland

Download or read book The Architecture and Geography of Sound Studios written by Even Smith Wergeland and published by Taylor & Francis. This book was released on 2024-06-21 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book about sound studios, focusing on their architectural and geographical aspects. It explores how music is materialized under specific spatial and technological conditions and the myths associated with this process. Through ten in-depth studies, it examines the design, evolution and current function of sound studios amidst economic and technological shifts in the music industry. Traditional studios are in flux between the past and future. The industry, while steeped in romanticism and nostalgia, also embraces forward-driven pragmatism and an extensive reuse culture, encompassing heritage audio, building materials and existing buildings. A surprisingly diverse architectural heritage, the most significant feature is the host building, the framework around the studio capsule. Many traditional studios adapt to digitalization with hybrid solutions, reflecting a shift toward smaller, more versatile spaces. In a time when recordings in theory can happen anywhere, destination studios must excel to attract clients, balancing historical legacies with diversification. Although they may be easy to deconstruct, many of the myths endure, sustaining ideas of landmark recordings, unique locations and distinct remnants of sonic heritage. Courtesy of their capacity to keep the past alive in the present, traditional sound studios are best described as museums that work. This book aims to reach scholars and students with an interest in history, theory and preservation, as well as practicing architects and architectural students who wish to find out more about the relationship between sound and space, acoustic design and retrofitting of historical buildings into specialized functions. It also aims to reach practicing musicians, producers, music students and music scholars.