The Cambridge Introduction To Theatre Studies

Download or read book The Cambridge Introduction to Theatre Studies written by Christopher B. Balme and published by Cambridge University Press. This book was released on 2008-09-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.

Download or read book The Cambridge Introduction to Theatre Directing written by Christopher Innes and published by Cambridge University Press. This book was released on 2013-05-02 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.

Download or read book The Cambridge Introduction to Theatre Historiography written by Thomas Postlewait and published by Cambridge University Press. This book was released on 2009-04-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A 'how to' guide for students and teachers of theatre history, covering archival research, developing historical descriptions and writing reports.

Download or read book The Cambridge Introduction to Early English Theatre written by Janette Dillon and published by Cambridge University Press. This book was released on 2006-06-12 with total page 39 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible introduction to early English theatre, from the late medieval period to 1642.

Download or read book The Cambridge Introduction to Tragedy written by Jennifer Wallace and published by Cambridge University Press. This book was released on 2007-05-10 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introductory study into tragedy in drama and literature, and in the real world.

Download or read book The Cambridge Introduction to Scenography written by Joslin McKinney and published by Cambridge University Press. This book was released on 2009-11-19 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.

Download or read book An Introduction to Post-Colonial Theatre written by Brian Crow and published by Cambridge University Press. This book was released on 1996-03-21 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.