The Cambridge Companion To Women In Music Since 1900

Download or read book The Cambridge Companion to Women in Music since 1900 written by Laura Hamer and published by Cambridge University Press. This book was released on 2021-05-06 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion explores women's work in music since 1900 across a broad range of musical genres and professions, including the classical tradition, popular music, and music technology. The crucial contribution of women to music education and the music industries features alongside their activity as composers and performers. The book considers the gendered nature of the musical profession, in areas including access to training, gendered criticism, sexualization, and notions of 'gender appropriate' roles or instruments. It covers a wide range of women musicians, such as Marin Alsop, Grace Williams, Billie Holiday, Joni Mitchell and Adele. Each thematic section concludes with a contribution from a practitioner in her own words, reflecting upon the impact of gender on her own career. Chapters include suggestions for further reading on each of the topics covered, providing an invaluable resource for students of Feminist Musicology, Women in Music, and Music and Gender.

Download or read book The Cambridge Companion to Women Composers written by Matthew Head and published by Cambridge University Press. This book was released on 2024-05-30 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.

Download or read book Women and Music in Ireland written by Laura Watson and published by Boydell & Brewer. This book was released on 2022-12-13 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.

Download or read book The Routledge Companion to Women and Musical Leadership written by Laura Hamer and published by Taylor & Francis. This book was released on 2024-08-13 with total page 822 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond provides a comprehensive exploration of women’s participation in musical leadership from the nineteenth century to the present. Global in scope, with contributors from over thirty countries, this book reveals the wide range of ways in which women have taken leadership roles across musical genres and contexts, uncovers new histories, and considers the challenges that women continue to face. The volume addresses timely issues in the era of movements such as #MeToo, digital feminisms, and the resurgent global feminist movements. Its multidisciplinary chapters represent a wide range of methodologies, with historical musicology, models drawn from ethnomusicology, analysis, philosophy, cultural studies, and practice research all informing the book. Including almost fifty chapters written by both researchers and practitioners in the field, it covers themes including: Historical Perspectives Conductors and Impresarios Women’s Practices in Music Education Performance and the Music Industries Faith and Spirituality: Worship and Sacred Musical Practices Advocacy: Collectives and Grass-Roots Activism The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond draws together both new perspectives from early career researchers and contributions from established world-leading scholars. It promotes academic-practitioner dialogue by bringing contributions from both fields together, represents alternative models of women in musical leadership, celebrates the work done by women leaders, and shows how women challenge accepted notions of gendered roles. Offering a comprehensive overview of the varied forms of women’s musical leadership, this volume is a vital resource for all scholars of women in music, as well as professionals in the music industries and music education today.

Download or read book The Cambridge Companion to Metal Music written by Jan-Peter Herbst and published by Cambridge University Press. This book was released on 2023-10-31 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre.

Download or read book The Cambridge Companion to Caribbean Music written by Nanette de Jong and published by Cambridge University Press. This book was released on 2022-08-04 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.

Download or read book The Cambridge Companion to Music and Romanticism written by Benedict Taylor and published by Cambridge University Press. This book was released on 2021-08-26 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic team of leading younger scholars and established authorities, it gives a state-of-the-art yet accessible overview of current thinking on this popular topic.