Technology And The Canadian Mind

Download or read book Technology and the Canadian Mind written by Arthur Kroker and published by . This book was released on 1984 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Canadian discourse - Technological dependency: George Grant as the Nietzsche of the New World - Technological humanism : the processed World of Marshall McLuhan - Technological realism : Harold Innis' empire of communications.

Download or read book Communication Technology written by Darin Barney and published by University of British Columbia Press. This book was released on 2005 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: A decade ago, when the Internet began to emerge as a popular new mode of communication, many political scientists and social commentators surmised that technologies arising from its widespread use would revolutionize our democratic institutions. Today, voter turnout levels are at historic lows, while Internet usage is at historic highs. Can we still make the claim, then, that new information and communication technologies (ICTs) enhance democratic life in Canada? In fact, what effect is the increasing mediation of political communication by ICTs having on the practice of Canadian politics? How have such digital technologies affected the distribution of power in Canadian society? In Communication Technology, Darin Barney investigates the links between ICTs and our democratic processes. Framing his discussion around the Canadian Democratic Audit’s central concerns of inclusiveness, public participation, and responsiveness, Barney argues that the potential of ICTs to contribute to a more democratic political system will remain largely untapped unless the more conventional dimensions of Canadian politics, the economy, and modes of governance are re-oriented. A highly original volume of the Canadian Democratic Audit, Communication Technology poses some provocative questions about the state of Canadian democracy and the place of ICTs in shaping and improving it. Students of political science and media studies, as well as those with an interest in understanding the activist potential of ICTs will find this book particularly compelling.

Download or read book Canadian Intellectuals, the Tory Tradition, and the Challenge of Modernity, 1939-1970 written by Philip Massolin and published by University of Toronto Press. This book was released on 2015-05-27 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this well-researched book, Philip Massolin takes a fascinating look at the forces of modernization that swept through English Canada, beginning at the turn of the twentieth century. Victorian values - agrarian, religious - and the adherence to a rigid set of philosophical and moral codes were being replaced with those intrinsic to the modern age: industrial, secular, scientific, and anti-intellectual. This work analyses the development of a modern consciousness through the eyes of the most fervent critics of modernity - adherents to the moral and value systems associated with Canada's tory tradition. The work and thought of social and moral critics Harold Innis, Donald Creighton, Vincent Massey, Hilda Neatby, George P. Grant, W.L. Morton, Northrop Frye, and Marshall McLuhan are considered for their views of modernization and for their strong opinions on the nature and implications of the modern age. These scholars shared concerns over the dire effects of modernity and the need to attune Canadians to the realities of the modern age. Whereas most Canadians were oblivious to the effects of modernization, these critics perceived something ominous: far from being a sign of true progress, modernization was a blight on cultural development. In spite of the efforts of these critics, Canada emerged as a fully modern nation by the 1970s. Because of the triumph of modernity, the toryism that the critics advocated ceased to be a defining feature of the nation's life. Modernization, in short, contributed to the passing of an intellectual tradition centuries in the making and rapidly led to the ideological underpinnings of today's modern Canada.

Download or read book Technology and Nationalism written by Marco L. Adria and published by McGill-Queen's Press - MQUP. This book was released on 2010 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of technology and nationalism and how they have shaped twenty-first century Canada.

Download or read book Made Modern written by Edward Jones-Imhotep and published by UBC Press. This book was released on 2018-12-14 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: Science and technology have shaped not only economic empires and industrial landscapes, but also the identities, anxieties, and understandings of people living in modern times. Made Modern: Science and Technology in Canadian History draws together leading scholars from a wide range of fields to enrich our understanding of history inside and outside Canada’s borders. The book’s chapters examine how science and technology have allowed Canadians to imagine and reinvent themselves as modern. Focusing on topics including exploration, scientific rationality, the occult, medical instruments, patents, communication, and infrastructure, the contributors situate Canadian scientific and technological developments within larger national and transnational contexts. The first major collection of its kind in thirty years, Made Modern explores the place of science and technology in shaping Canadians’ experience of themselves and their place in the modern world.

Download or read book Image and Identity written by R. Bruce Elder and published by Wilfrid Laurier Univ. Press. This book was released on 2006-01-01 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live? In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder’s razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.

Download or read book The Oxford Handbook of Canadian Cinema written by Janine Marchessault and published by Oxford University Press. This book was released on 2019-03-20 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.