South Carolina Blues

Download or read book South Carolina Blues written by Clair DeLune and published by Arcadia Publishing. This book was released on 2015-09-21 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of South Carolina blues is a long, deep--and sometimes painful--story. However, it is a narrative with aspects as compelling as the music itself. Geographical differences in America led to variations in the styles of music that developed from African rhythms. The wet, marshy landscape and hot, muggy weather of the Carolina Lowcountry combined to cultivate not only rice, but a Gullah-based style of South Carolina blues. In drier climates, toward the Midlands and the Upstate, the combination of European influences led to the emergence of Piedmont blues, which in turn spawned country music as well as bluegrass. Those same Gullah roots resulted in four major dance crazes, starting with the Charleston.

Download or read book Jazz & Blues Musicians of South Carolina written by Benjamin Franklin and published by Univ of South Carolina Press. This book was released on 2008 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through detailed interviews with 19 South Carolina musicians, jazz historian and radio host Benjamin Franklin presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State.

Download or read book Live at Jackson Station written by Daniel M. Harrison and published by Univ of South Carolina Press. This book was released on 2021-01-28 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The smoke was thick, the music was loud, and the beer was flowing. In the fast-and-loose 1980s, Jackson Station Rhythm & Blues Club in Hodges, South Carolina, was a festive late-night roadhouse filled with people from all walks of life who gathered to listen to the live music of high-energy performers. Housed in a Reconstruction-era railway station, the blues club embraced local Southern culture and brought a cosmopolitan vibe to the South Carolina backcountry. Over the years, Jackson Station became known as one of the most iconic blues bars in the South. It offered an exciting venue for local and traveling musical artists, including Widespread Panic, the Swimming Pool Qs, Bob Margolin, Tinsley Ellis, and R&B legend Nappy Brown, who loved to keep playing long after sunrise. The good times ground to a terrifying halt in the early morning hours of April 7, 1990. A brutal attack—an apparent hate crime—on the owner Gerald Jackson forever altered the lives of all involved. In this fast-paced narrative, Jackson Station emerges as a cultural kaleidoscope that served as an oasis of tolerance and diversity in a time and place that often suffered from undercurrents of bigotry and violence—an uneasy coexistence of incongruent forces that have long permeated southern life and culture.

Download or read book An Encyclopedia of South Carolina Jazz & Blues Musicians written by Benjamin Franklin and published by Univ of South Carolina Press. This book was released on 2016-05-30 with total page 815 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive A-to-Z reference is “an impressive contribution to jazz history and surprisingly good reading” (Michael Ullman, author of Jazz Lives). This informative bookdocuments the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), the largely forgotten (Fud Livingston, Josie Miles), the obscure (Lottie Frost Hightower, Horace “Spoons” Williams), and the unknown (Vince Arnold, Johnny Wilson). Though the term “jazz” is commonly understood, if difficult to define, “blues” has evolved over time to include R&B, doo-wop, and soul. Performers in these genres are also represented, as are members of the Jenkins Orphanage bands of Charleston. Also covered are nineteenth-century musicians who performed what might be called proto-jazz or proto-blues in string bands, medicine shows, vaudeville, and the like. Organized alphabetically, from Johnny Acey to Webster Young, the entries include basic biographical information, South Carolina residences, career details, compositions, recordings as leaders and as band members, films, awards, websites, and lists of resources for additional reading. Former host of Jazz in Retrospect on NPR Benjamin Franklin V has ensured biographical accuracy to the greatest degree possible by consulting numerous public documents, and information in these records permitted him to dispel myths and correct misinformation that have surrounded South Carolina’s musical history for generations. “Elucidates South Carolina as a profoundly crucial puzzle piece alongside New Orleans, Chicago, Kansas City and New York.” —Harry Skoler, professor, Berklee College of Music Includes photos

Download or read book Drink Small written by Gail Wilson-Giarratano and published by Music. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: For fans of the blues, Drink Small is synonymous with South Carolina. Drink rose from the cotton fields of Bishopville to become a music legend in the Palmetto State and beyond. The self-taught guitarist has written hundreds of songs and recorded dozens of albums spanning the genres of country, blues, folk, gospel and shag. The success of that music allowed him countless honors, such as playing the stages of the Apollo and Howard Theaters, touring with legendary R&B singer Sam Cooke and playing the best blues festivals in the world. He even developed his own philosophy: Drinkism. Author Gail Wilson-Giarratano details the dream, the music and the life that created the Blues Doctor.

Download or read book Toward the Meeting of the Waters written by Winfred B. Moore and published by Univ of South Carolina Press. This book was released on 2008 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: Toward the Meeting of the Waters brings together voices of leading historians alongside recollections from central participants to provide the first comprehensive history of the civil rights movement as experienced by black and white South Carolinians. The volumes opening section assesses the transition of South Carolina leaders from defiance to moderate enforcement of federally mandated integration and includes commentary by former governor and U.S. senator Ernest F. Hollings and former governor John C. West. The next sections recall defining moments of white-on-black violence and aggression to set the context for understanding the efforts of reformers such as Levi G. Byrd and Septima Poinsette Clark and for interpreting key episodes of white resistance. The next section forms an oral history of the era as it was experienced by a mixture of locally and nationally recognized participants, including historians such as John Hope Franklin and Tony Badger as well as civil rights activists Joseph A. De Laine Jr., Beatrice Brown Rivers, Charles McDew, Constance Curry, Matthew J. Perry Jr., Harvey B. Gantt, and Cleveland Sellers Jr. The volume concludes with essays by historians who bring this story to the present day.

Download or read book Red, White, and Black Make Blue written by Andrea Feeser and published by University of Georgia Press. This book was released on 2013 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves—both black and Native American—made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories—uncovered for the first time during her research—of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.