So Deadly So Perverse 50 Years Of Italian Giallo Films Vol 2 1974 2013

Download or read book So Deadly, So Perverse 50 Years of Italian Giallo Films Vol. 2 1974-2013 written by Troy Howarth and published by . This book was released on 2015-12-16 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: SO DEADLY, SO PERVERSE: 50 YEARS OF ITALIAN GIALLO FILMS VOLUME TWO offers a look at the gradual decline of the giallo from 1974 until 2013.

Download or read book The Giallo Canvas written by Alexandra Heller-Nicholas and published by McFarland. This book was released on 2021-01-22 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beloved among cult horror devotees for its signature excesses of sex and violence, Italian giallo cinema is marked by switchblades, mysterious killers, whisky bottles and poetically overinflated titles. A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli--an obsession with art and artists in creative production, with a particular focus on painting. The author explores the appearance and significance of art objects across the masterworks of such filmmakers as Dario Argento, Lucio Fulci, Sergio Martino, Umberto Lenzi, Michele Soavi, Mario Bava and his son Lamberto.

Download or read book Giallo! written by Alexia Kannas and published by State University of New York Press. This book was released on 2020-11-01 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian giallo films have a peculiar allure. Taking their name from the Italian for "yellow"— reflecting the covers of pulp crime novels—these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, Giallo! traces this historically marginalized genre's journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including The Girl Who Knew Too Much (1963), Blood and Black Lace (1964), The Bird with the Crystal Plumage (1970), The Black Belly of the Tarantula (1971), and The Case of the Bloody Iris (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity.

Download or read book Italian Giallo in Film and Television written by Roberto Curti and published by McFarland. This book was released on 2022-06-02 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the release in 1929 of a popular book series with bright yellow covers, the Italian word giallo (yellow) has come to define a whole spectrum of mystery and detective fiction and films. Although most English speakers associate the term giallo with the violent and erotic thrillers popular in the 1960s and 1970s from directors like Mario Bava, Dario Argento, Lucio Fulci and others, the term encompasses a wide range of Italian media such as mysteries, thrillers and detective stories--even comedies and political pamphlets. As films like Blood and Black Lace (1964) and Deep Red (1975) have received international acclaim, giallo is a fluid and dynamic genre that has evolved throughout the decades. This book examines the many facets of the giallo genre --narrative, style, themes, and influences. It explores Italian films, made-for-TV films and miniseries from the dawn of sound cinema to the present, discussing their impact on society, culture and mores.

Download or read book Italian Gothic Horror Films, 1957-1969 written by Roberto Curti and published by McFarland. This book was released on 2015-03-27 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.

Download or read book The Haunted World of Mario Bava written by Troy Howarth and published by . This book was released on 2014-05-28 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Haunted World of Mario Bava has now been updated, revised and expanded by author Troy Howarth to give a better overview of Bava's remarkable legacy as a director and "cinema magician."

Download or read book Italian Gothic Horror Films, 1970-1979 written by Roberto Curti and published by McFarland. This book was released on 2017-09-21 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian Gothic horror films of the 1970s were influenced by the violent giallo movies and adults-only comics of the era, resulting in a graphic approach to the genre. Stories often featured over-the-top violence and nudity and pushed the limits of what could be shown on the screen. The decade marked the return of specialist directors like Mario Bava, Riccardo Freda and Antonio Margheriti, and the emergence of new talents such as Pupi Avati (The House with the Laughing Windows) and Francesco Barilli (The Perfume of the Lady in Black). The author examines the Italian Gothic horror of the period, providing previously unpublished details and production data taken from official papers, original scripts and interviews with filmmakers, scriptwriters and actors. Entries include complete cast and crew lists, plot summaries, production history and analysis. An appendix covers Italian made-for-TV films and mini-series.