Screening Statues

Download or read book Screening Statues written by Steven Jacobs and published by Edinburgh University Press. This book was released on 2018-04-30 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: A dynamic, scholarly engagement with Susanne Bier's work

Download or read book Screening Divinity written by Lisa Maurice and published by Edinburgh University Press. This book was released on 2019-05-03 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Engaging with recent scholarship on film, particularly film and theology as well as classical reception, Lisa Maurice considers the gods of Greek and Roman mythology alongside the biblical God of the Judeo-Christian tradition.

Download or read book Ovid on Screen written by Martin M. Winkler and published by Cambridge University Press. This book was released on 2020-01-30 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first study of Ovid, especially his Metamorphoses, as inherently visual literature, explaining his pervasive importance in our visual media.

Download or read book Sculpture, Sexuality and History written by Jana Funke and published by Springer. This book was released on 2019-01-04 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the wide-ranging connections between sculpture, sexuality, and history in Western culture from the eighteenth century to the present. Sculpture has offered a privileged site for the articulation of sexual experience and the formation of sexual knowledge. As historical objects, sculptures also draw attention to the different ways in which knowledge about sexuality is facilitated through an engagement with the past. Bringing together contributors from across disciplines, including art history, classics, film studies, gender studies, history, literary studies, museum studies, queer theory and reception studies, the volume presents original readings of sculptural art in relation to antiquarianism, aesthetics, collecting cultures, censorship and obscenity, psychoanalysis, sexology, and the experience and regulation of museum spaces. It examines how sculptural encounters were imagined and articulated in literature, painting, film and science. As a whole, the book opens up a new understanding of the ways in which sculptures, as real or imagined objects, have fundamentally shaped approaches to and receptions of the past in relation to sex, gender and sexuality. Chapters 8 and 10 of this book are available open access under a CC BY 4.0 license at link.springer.com.

Download or read book Corporeality in Early Cinema written by Marina Dahlquist and published by Indiana University Press. This book was released on 2018-10-16 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Corporeality in Early Cinema inspires a heightened awareness of the ways in which early film culture, and screen praxes overall are inherently embodied. Contributors argue that on- and offscreen (and in affiliated media and technological constellations), the body consists of flesh and nerves and is not just an abstract spectator or statistical audience entity. Audience responses from arousal to disgust, from identification to detachment, offer us a means to understand what spectators have always taken away from their cinematic experience. Through theoretical approaches and case studies, scholars offer a variety of models for stimulating historical research on corporeality and cinema by exploring the matrix of screened bodies, machine-made scaffolding, and their connections to the physical bodies in front of the screen.

Download or read book The Gothic Screen written by Jacqueline E. Jung and published by Cambridge University Press. This book was released on 2013 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church.

Download or read book Classical Myth in Alfred Hitchcock's Wrong Man and Grace Kelly Films written by Mark William Padilla and published by Rowman & Littlefield. This book was released on 2018-12-12 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mark Padilla’s classical reception readings of Alfred Hitchcock features some of the director’s most loved and important films, and demonstrates how they are informed by the educational and cultural classicism of the director’s formative years. The six close readings begin with discussions of the production histories, so as to theorize and clarify how classicism could and did enter the projects. Exploration of the films through a classical lens creates the opportunity to explore new themes and ideological investments. The result is a further appreciation of both the engine of the director’s storytelling creativity and the expressionism of classicism, especially Greek myth and art, in British and American modernism. The analysis organizes the material into two triptychs, one focused on the three films sharing a wrong man pattern (wrongly accused man goes on the run to clear himself), the other treating the films starring the actress Grace Kelly. Chapter One, on The 39 Steps (1935), finds the origins of the wrong man plot in early 20th-century British classicism, and demonstrates that the movie utilizes motifs of Homer’s Odyssey. Chapter Two, on Saboteur (1942), theorizes the impact of the director’s memories of the formalism and myths associated with the Parthenon sculptures housed in the British Museum. Chapter Three, on North by Northwest, participates in the myths of the hero Oedipus, as associated with early Greek epic, Freud, Nietzsche, and Sophocles. Chapter Four, on Dial M for Murder (1954), returns to Homer’s Odyssey in the interpretive use of “the lay of Demodocus,” a story about the sexual triangle of Hephaestus, Aphrodite, and Ares. Chapter Five, on Rear Window (1954), finds its narrative archetype in The Homeric Hymn to Aphrodite; the erotic theme of Sirius, the Dog Star, also marks the film. Chapter Six, on To Catch a Thief (1955), offers the opportunity to break from mythic analogues, and to consider the film’s philosophical resonances (Plato and Epicurus) in the context of motifs coalesced around the god Dionysus/Bacchus.