Schumanns Late Style

Download or read book Schumann's Late Style written by Laura Tunbridge and published by Cambridge University Press. This book was released on 2007-10-18 with total page 1 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Schumann's little-known music from the 1850s and its relationship to his biography.

Download or read book Rethinking Schumann written by Roe-Min Kok and published by OUP USA. This book was released on 2011-01-19 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays aims to broaden and update scholarly approaches to Schumann, by considering his works and their reception in the context of various cultural and socio-institutional frameworks, from mid-nineteenth-century politics, through Nazi Germany, to late-twentieth-century popular culture.

Download or read book Robert Schumann written by John Daverio and published by Oxford University Press, USA. This book was released on 1997 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work focuses on the work of the romantic composer Robert Schumann.

Download or read book Robert Schumann written by Martin Geck and published by University of Chicago Press. This book was released on 2013 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Schumann (1810-56) is one of the most important and representative composers of the Romantic era. Here acclaimed biographer martin Geck tells the story of this multifaceted genius, set in the context of the political and social revolutions of his time.

Download or read book Crossing Paths written by John Daverio and published by Oxford University Press. This book was released on 2002-10-03 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each discussion contributes to a portrait of these three composers as musical storytellers, each in his own way simulating the structure of lived experience in works of art."--BOOK JACKET.

Download or read book The Song Cycle written by Laura Tunbridge and published by Cambridge University Press. This book was released on 2010 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --

Download or read book Rethinking Schumann written by Roe-Min Kok and published by Oxford University Press. This book was released on 2011-01-19 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: A provocative re-examination of a major romantic composer, Rethinking Schumann provides fresh approaches to Schumann's oeuvre and its reception from the perspectives of literature, visual arts, cultural history, performance studies, dance, and film. Traditionally, research has focused on biographical links between the composer and his music, encouraging the assumption that Schumann was solitary, divorced from reality, and frequently associated with "untimeliness." These eighteen new essays argue from a multitude of perspectives that Schumann was in fact very much a man of his time, informed not only by music but also the culture and society around him. The book further reveals that the composer's reputation has been shaped significantly by, for example, changes in attitudes towards German romanticism and its history, and recent developments in musical scholarship and performance. Rethinking Schumann takes into account cultural and social-institutional frameworks, engages with ongoing and new issues of reception and historiography, and offers fresh music-analytical insights. As a whole, the essays assemble a portrait of the artist that reflects the different ways in which Schumann has been understood and misunderstood over the past two hundred years. The volume is, in short, a timely reassessment of this ultimately non-untimely figure's legacy. While the essays consider some of Schumann's most famous music (Dichterliebe, Kinderszenen and the Piano Quintet), they also provide crucial adjustment to judgments against the composer's later works by explaining their musical features not as the result of diminishing creative capacity but as reflections of the political and social situations of mid-nineteenth-century German culture and technological developments. Schumann is revealed to have been a musician engaged by and responsive to his surroundings, whose reputation was formed to a great extent by popular culture, both in his own lifetime as he responded to particular poets and painters, and later, as his life and works were responded to by subsequent generations.