Radio Drama

Download or read book The Radio Drama Handbook written by Richard J. Hand and published by Bloomsbury Publishing USA. This book was released on 2011-09-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Radio Drama written by Martin Grams, Jr. and published by McFarland. This book was released on 2008-02-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The free-standing radios of the middle decades of the 20th century were invitingly rotund and proudly displayed--nothing like today's skinny televisions hidden inside "entertainment centers." Radios were the hub of the family's after-dinner activities, and children and adults gorged themselves on western-adventure series like "The Lone Ranger," police dramas such as "Calling All Cars," and the varied offerings of "The Cavalcade of America." Shows often aired two or three times a week, and many programs were broadcast for more than a decade, comprising hundreds of episodes. This book includes more than 300 program logs (many appearing in print for the first time) drawn from newspapers, script files in broadcast museums, records from NBC, ABC and CBS, and the personal records of series directors. Each entry contains a short broadcast history that includes directors, writers, and actors, and the broadcast dates and airtimes. A comprehensive index rounds out the work.

Download or read book So You Want to Write Radio Drama? written by Claire Grove and published by So You Want To Be...? career guides. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An essential guide for anyone who dreams of penning tomorrow's radio classics.

Download or read book Audionarratology written by Lars Bernaerts and published by . This book was released on 2021 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Radio drama has been around for more than one hundred years and is still vibrant in many countries. A narrative-dramatic genre and art form in its own right, radio drama has traditionally crossed medial and generic boundaries and continues to do so in our age of digitization. Audionarratology: Lessons from Audio Drama, edited by Lars Bernaerts and Jarmila Mildorf, explores radio drama from a narratological angle. The contributions cover key questions surrounding audiophonic meaning-making, storyworld creation, mediation, focalization, suspense, unreliability, and ambiguity as well as the relationship between script and performance, seriality, antinarrative tendencies, and radio drama's political implications now and in its early days. The book thus explores the interplay between sound, voices, music, language, silence, electroacoustic manipulation, and narrative structures. Providing examples from American, Australian, British, Dutch, and German radio drama--such as I Love a Mystery, The War of the Worlds, and The Hitchhiker's Guide to the Galaxy--this book has important insights for scholars working in transmedial narratology, media studies, literary and cultural studies, theatre and performance studies, and communication studies as well as for practitioners and lovers of radio drama alike.

Download or read book Theater of the Mind written by Neil Verma and published by University of Chicago Press. This book was released on 2012-06-29 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.

Download or read book At Home in Mitford written by Jan Karon and published by Penguin. This book was released on 1996-02-01 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first novel in #1 New York Times bestselling author Jan Karon’s beloved series set in America’s favorite small town: Mitford. It's easy to feel at home in Mitford. In these high, green hills, the air is pure, the village is charming, and the people are generally lovable. Yet, Father Tim, the bachelor rector, wants something more. Enter a dog the size of a sofa who moves in and won't go away. Add an attractive neighbor who begins wearing a path through the hedge. Now, stir in a lovable but unloved boy, a mystifying jewel theft, and a secret that's sixty years old. Suddenly, Father Tim gets more than he bargained for. And readers get a rich comedy about ordinary people and their ordinary lives.

Download or read book British Radio Drama written by John Drakakis and published by Cambridge University Press. This book was released on 1981 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: There has been little serious attempt in Britain to deal critically and historically with the subject of radio drama. This volume of essays concentrates upon a small group of influential writers who have devoted all or part of their attention to writing plays for radio. The introduction charts the development of radio drama since its inception in the 1920s and its changing relationships with the theatre and later with television. It shows how the early ideal of broadcasting significant works of established literature and drama helped to provide a broad foundation for the growth of a body of dramatic literature which fully exploited the medium's reliance upon sound alone. Separate contributions contain full appraisals of the radio writing of Louis MacNeice, Dylan Thomas and Henry Reed, while detailed studies of particular aspects of the work of Dorothy L. Sayers, Susan Hill, Giles Cooper and Samuel Beckett explore the practical as well as the critical issues involved in the study of radio drama.