Production Design The Cinematic Home

Download or read book Production Design & the Cinematic Home written by Jane Barnwell and published by Springer Nature. This book was released on 2022-05-10 with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book uses in-depth case studies to explore the significance of the design of the home on screen. The chapters draw widely upon the production designer’s professional perspective and particular creative point of view. The case studies employ a methodology Barnwell has pioneered for the analysis of production design called Visual Concept Analysis, which can be used as a key to decode the design of any given film. Through the nurturing warmth of the Browns’ home in Paddington, the ambiguous boundaries of secret service agent homes in Tinker Tailor Soldier Spy and the ‘singleton’ space occupied by Bridget Jones, Barnwell demonstrates that the domestic interior consistently plays a key role. Whether used as a transition space, an ideal, a catalyst for change or a place to return to, these case studies examine the pivotal nature of the home in storytelling and the production designers’ significance in its creation. The book benefits from interviews with production designers and artwork that provides insight on the creative process.

Download or read book Production Design written by Jane Barnwell and published by Columbia University Press. This book was released on 2019-07-25 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Production Design: Architects of the Screen explores the role of the production designer through a historical overview that maps out landmark film and television designs. From the familiar environs of television soap operas to the elaborate and disorientating Velvet Goldmine. Jane Barnwell considers how themes. motifs and colours offer clues to unravel plot. character and underlying concepts. In addressing the importance of physical space in film and TV, the book investigates questions of authenticity in detail. props. colours and materials. The design codes of period drama. more playful representations of the past and distinctive contemporary looks are discussed through the use of key examples ranging from musicals of the 1930s to cult films of the 1990s. The book also includes interviews with leading production designers and studies of Trainspotting, The English Patient and Caravaggio.

Download or read book Production Design written by Peg McClellan and published by Routledge. This book was released on 2020-05-18 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Production Design: Visual Design for Film and Television is a hands-on guide to the craft of Production Design and Art Direction. Author Peg McClellan gives an insider’s view of the experiences and challenges of working as a Production Designer in film and television. The book covers three major areas, starting with an overview and the basics of job responsibilities, the artistic approach and the background which every Production Designer needs to be familiar with, and progressing to the mechanics of the role with a day-to-day breakdown of the job itself. McClellan takes you through script analysis, team collaborations, the hierarchy of a production, hiring a team, the business elements, locations, studio facilities, handling change, and everything in between. With case studies, insights from successful Production Designers, and inspiration in the form of over 200 colour photos and illustrations from storyboards to sets, this is the ideal book for students seeking a career in production design, and professionals looking to further their design knowledge.

Download or read book Das Szenenbild Im Film written by Heidi Lüdi and published by Edition Axel Menges. This book was released on 2000 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book uses familiar films and television series to portray the complex process leading to the design of film sets. It goes into detail over the pros and cons of filming "on location" or in the studio, takes a look at the problems of historical and contemporary settings and clears up the linguistic muddle of names for particular jobs that has grown up as a result of different film production developments in Europe and America. This illustrated volume is a must for everyone involved in film and also for everyone interested in the art film." "Swiss designers Heidi and Toni Ludi have designed countless film sets since studying art in London and Munich, including such famous examples as The Magic Mountain, Edith's Diary, Wings of Desire, The Bear, Lindenstrasse and Die zweite Heimat. Both are actively committed to their profession; they pass their experience on to the younger generation in frequent lectures and seminars, in Toni Ludi's case since 1989 as professor at the Fachhochschule Rosenheim."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Download or read book The Art of Film written by Ian Christie and published by Wallflower Press. This book was released on 2009 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Box had one of the most continuously productive design careers in British cinema, winning a record for Academy Awards and four BAFTAs. After learning his craft in the 1950s, he shot to fame with Lawrence of Arabia (1962). Directors from David Lean and Carol Reed to Norman Jewison and Michael Mann have valued his experience, as he brought `a vocabulary of life' to bear on the new challenges posed by each film. Whether creating Chaina in Wales for The Inn of the Sixth Happiness (1958), revolutionary Russia in Spain for Dr. Zhivago (1965), or Dickensian London for Oliver! (1968), imagining the mythic past in First Knight (1995) or the future in Rollerball (1975). Box shaped screen worlds across five decades, helping to establish the traditions of British production design which continue today. His greatest wish was that his career should encourage others by example. Based on interviews with John Box and the co-operation of some of his key collaborators, this lavishly colour-illustrated book focuses on solutions to design problems and provides a unique insight into the production designer's role in the collaborative business of filmmaking. --Book Jacket.

Download or read book Pretty Pictures written by C. S. Tashiro and published by University of Texas Press. This book was released on 2010-07-05 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines. By contrast, C. S. Tashiro foregrounds the visual aspect of cinema in this book, drawing on his experiences as a designer and filmmaker, as well as on contemporary theory, to show how production design can support or contradict narrative structure, or exist in an entirely parallel realm of meaning. Tashiro looks at cinematic production design from a broadly interdisciplinary perspective, encompassing art and architecture theory, audience reception, narrative theory, and phenomenology, to arrive at a more encompassing definition of the process. He builds his argument around studies of several prominent history films, since design is central to historical representation, and explores the most pertinent issues raised by the topic, particularly commodity consumption. In his conclusion, he also offers possible solutions to some of the social problems raised by design.

Download or read book Art Direction and Production Design written by Lucy Fischer and published by Rutgers University Press. This book was released on 2015-03-06 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is the look of a film achieved? In Art Direction and Production Design, six outstanding scholars survey the careers of notable art directors, the influence of specific design styles, the key roles played by particular studios and films in shaping the field, the effect of technological changes on production design, and the shifts in industrial modes of organization. The craft’s purpose is to produce an overall pictorial “vision” for films, and in 1924 a group of designers formed the Cinemagundi Club—their skills encompassed set design, painting, decoration, construction, and budgeting. A few years later, in recognition of their contributions to filmmaking, the first Academy Awards for art direction were given, a clear indication of just how essential the oversight of production design had become to the so-called majors. The original essays presented in Art Direction and Production Design trace the trajectory from Thomas Edison’s primitive studio, the Black Maria, to the growth of the Hollywood “studio system,” to the influence of sound, to a discussion of the “auteur theory,” and to contemporary Hollywood in which computer-generated imagery has become common. By 2000, the Society of Motion Picture Art Directors became the Art Directors Guild, emphasizing the significance of the contributions of art direction and production design to filmmaking. Art Direction and Production Design is a volume in the Behind the Silver Screen series—other titles in the series include Acting, Animation, Cinematography, Directing, Editing and Special/Visual Effects, Producers, Screenwriting, and Sound.