Newsletter American Musical Instrument Society

Download or read book Newsletter - American Musical Instrument Society written by American Musical Instrument Society and published by . This book was released on 1999 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Bulletin of the Society for American Music written by and published by . This book was released on 2006 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Journal of the American Musical Instrument Society written by American Musical Instrument Society and published by . This book was released on 2004 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The New-York Book of Prices for Manufacturing Piano-fortes written by Society of Journeymen Piano-forte Makers and published by . This book was released on 2009 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Bassoon Reed Manual written by James R. McKay and published by Indiana University Press. This book was released on 2000 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawings and photographs complement step-by-step explanations of reedmaking techniques, making every procedure clear. Rather than present an onerous shopping list, the chapter on tools gives a thorough tour of Skinner's workbench, explaining the uses of various items and what can be used as substitutes. Throughout, instructions are given in clear language, not just outlining steps to follow but explaining he principles behind the practice. In addition to basic reed types, a number of variations are treated in detail, as is the making of contrabassoon reeds. Finally, every effort has been made to make this book practical for use at the workbench--in a secure binding that will allow the pages to stay open (without the use of clothespins) and in print large enough to permit easy consultation when the reader's hands are occupied with cane and knives and glue and wire.

Download or read book The Saxophone written by Stephen Cottrell and published by Yale University Press. This book was released on 2013-02-05 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.

Download or read book Sounding Human written by Deirdre Loughridge and published by University of Chicago Press. This book was released on 2023-12-15 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: An expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing “human” musicality from its “merely mechanical” simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the “human or machine” logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a “sound wave instrument” by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers’ voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been—or can be—used to help explain and contest what it is to be human.