Louis Spohr

Download or read book Louis Spohr written by Clive Brown and published by Cambridge University Press. This book was released on 2006-03-30 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: The life and works of the once renowned nineteenth-century composer who is now largely overlooked.

Download or read book Louis Spohr's Autobiography written by Louis Spohr and published by . This book was released on 1865 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Ludwig Spohr's Autobiography. Translated from the German. Copyright Edition written by Louis Spohr and published by . This book was released on 1865 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Louis Spohr's autobiography, tr. from the German. Copyright ed written by Louis Spohr and published by . This book was released on 1865 with total page 722 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Word Art + Gesture Art = Tone Art written by Hanns-Werner Heister and published by Springer Nature. This book was released on 2023-03-06 with total page 719 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a truly interdisciplinary discussion on the relationship between the vocal and the instrumental in music and other arts and in everyday communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of the genuinely vocal and instrumental from their generative deep structure: They derive from and are determined in their production by the duality of voice and hands, and in terms of product as the tone or ‘tonal’ on the one hand, and the percussive, that is noise plus rhythm, on the other. This book succeeds in bringing together perspectives from art, and from natural and social sciences, merging them to offer new explanations about the relationship between the vocal and instrumental, and eventually about the origins of music, arts, and language. It offers new perspectives on the intertwining between the vocal and the instrumental, specifically in the context of the expressions of human languages. At the same time, this book aims at clarifying and explaining the role of words and gestures in different contexts, such as society and communication, education, and arts.

Download or read book Structural Novelty and Tradition in the Early Romantic Piano Concerto written by Stephan D. Lindeman and published by Pendragon Press. This book was released on 1999 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR

Download or read book The Clarinet in the Classical Period written by Albert R. Rice and published by Oxford University Press. This book was released on 2008-01-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.