Lian Jian Fengyun Lu Volume 1

Download or read book Lian Jian Fengyun Lu Volume 1 written by liping guo and published by liping guo. This book was released on with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lian Jian Fengyun Lu Volume 3 written by liping guo and published by liping guo. This book was released on with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Underground written by Patricia Stranahan and published by Rowman & Littlefield. This book was released on 1998 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pathbreaking study offers the first in-depth view of the urban revolution during the pivotal Nanjing Decade. Focusing on China's largest and most cosmopolitan city, Stranahan examines how the Party organization in Shanghai-severed from the central leadership and pursued by Guomindang and foreign authorities alike-survived through a flexible organizing strategy attuned to the changing local environment.

Download or read book Tibet in Agony written by Jianglin Li and published by Harvard University Press. This book was released on 2016-10-10 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Chinese Communist government has twice invoked large-scale military might to crush popular uprisings in capital cities. The second incident—the notorious massacre in Tiananmen Square in 1989—is well known. The first, thirty years earlier in Tibet, remains little understood today. Yet in wages of destruction, bloodshed, and trampling of human rights, the tragic toll of March 1959 surpassed Tiananmen. Tibet in Agony provides the first clear historical account of the Chinese crackdown in Lhasa. Sifting facts from the distortions of propaganda and partisan politics, Jianglin Li reconstructs a chronology of events that lays to rest lingering questions about what happened in those fate-filled days and why. Her story begins with throngs of Tibetan demonstrators who—fearful that Chinese authorities were planning to abduct the Dalai Lama, their beloved leader—formed a protective ring around his palace. On the night of March 17, he fled in disguise, only to reemerge in India weeks later to set up a government in exile. But no peaceful resolution awaited Tibet. The Chinese army soon began shelling Lhasa, inflicting thousands of casualties and ravaging heritage sites in the bombardment and the infantry onslaught that followed. Unable to resist this show of force, the Tibetans capitulated, putting Mao Zedong in a position to fulfill his long-cherished dream of bringing Tibet under the Communist yoke. Li’s extensive investigation, including eyewitness interviews and examination of classified government records, tells a gripping story of a crisis whose aftershocks continue to rattle the region today.

Download or read book Zhou Enlai written by Barbara Barnouin and published by Chinese University Press. This book was released on 2006 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: A biography of Zhou Enlai, one of the most important and yet debatable political figures in the Chinese Communist Party. The authors give an in-depth analysis on the complex personality and controversial actions of Zhou, both as a person and a leader of the CCP.

Download or read book Literati Lenses written by Mia Yinxing Liu and published by University of Hawaii Press. This book was released on 2019-07-31 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.

Download or read book Writing and Materiality in China written by Judith T. Zeitlin and published by BRILL. This book was released on 2020-10-26 with total page 662 pages. Available in PDF, EPUB and Kindle. Book excerpt: Speaking about Chinese writing entails thinking about how writing speaks through various media. In the guises of the written character and its imprints, traces, or ruins, writing is more than textuality. The goal of this volume is to consider the relationship of writing to materiality in China’s literary history and to ponder the physical aspects of the production and circulation of writing. To speak of the thing-ness of writing is to understand it as a thing in constant motion, transported from one place or time to another, one genre or medium to another, one person or public to another. Thinking about writing as the material product of a culture shifts the emphasis from the author as the creator and ultimate arbiter of a text’s meaning to the editors, publishers, collectors, and readers through whose hands a text is reshaped, disseminated, and given new meanings. By yoking writing and materiality, the contributors to this volume aim to bypass the tendency to oppose form and content, words and things, documents and artifacts, to rethink key issues in the interpretation of Chinese literary and visual culture.