Landscape And Philosophy In The Art Of Jan Brueghel The Elder 1568 1625

Download or read book Landscape and Philosophy in the Art of Jan Brueghel the Elder (1568-1625) written by Leopoldine van Hogendorp Prosperetti and published by Ashgate Publishing, Ltd.. This book was released on 2009 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti discloses the nature of the philosophical culture of Antwerp at the time, show its importance in the lives of cultivated citizens, and reveals the patterns of thought and visual stratagems by which his landscapes underwrite the pursuit of wisdom. The book presents a new model for the interpretation of a range of visual genres, including various types of landscape, that were popular in the Antwerp picture trade.

Download or read book Landscape and Philosophy in the Art of Jan Brueghel the Elder (1568?625) written by Leopoldine Prosperetti and published by Routledge. This book was released on 2017-07-05 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti illuminates how the work of this painter relates to a philosophical culture prevailing in the Antwerp of his time. She shows that no matter what scenery, figures or objects stock the pictorial field, Brueghel's diverse pictures have something in common: they all embed visual trajectories that allow for the viewer to craft out of the raw material of the picture a moment of spiritual repose. Rooted in the art of Hieronymus Bosch and Pieter Bruegel the Elder these vistas are shown to meet the expectation of viewers to discover in their mazes a rhetorically conceived path to wisdom. The key issue is the ambition of pictorial images to bring into practice the humanist belief that philosophy and rhetoric are inseparable. This original study analyzes the patterns of thought and recurrent optical tropes that constitute a visual poetics for shifting genres - no longer devotional, yet sharing in the meditative goal of redirecting the soul toward an intuitive knowledge of what is good in life. This book reveals how everyday life is the preferred vehicle for delivering the results of philosophical pursuits. One chapter is dedicated to Brueghel's innovative attention to the experience of traveling in a variety of wheeled vehicles along the roads of his native Brabant. He is unique, and surprisingly modern, in giving contemporary viewers an accurate account of all the different types of conveyances that clutter the roads. It makes for lively versions of one of his favorite themes: The Traveled Road. By taking the pursuit of wisdom as its theme, the book succeeds in presenting a new model for the interpretation of a range of visual genres in the Antwerp picture trade.

Download or read book Rural Space in the Middle Ages and Early Modern Age written by Albrecht Classen and published by Walter de Gruyter. This book was released on 2012-05-29 with total page 932 pages. Available in PDF, EPUB and Kindle. Book excerpt: Older research on the premodern world limited its focus on the Church, the court, and, more recently, on urban space. The present volume invites readers to consider the meaning of rural space, both in light of ecocritical readings and social-historical approaches. While previous scholars examined the figure of the peasant in the premodern world, the current volume combines a large number of specialized studies that investigate how the natural environment and the appearance of members of the rural population interacted with the world of the court and of the city. The experience in rural space was important already for writers and artists in the premodern era, as the large variety of scholarly approaches indicates. The present volume signals how much the surprisingly close interaction between members of the aristocratic and of the peasant class determined many literary and art-historical works. In a surprisingly large number of cases we can even discover elements of utopia hidden in rural space. We also observe how much the rural world was a significant element already in early-medieval mentality. Moreover, as many authors point out, the impact of natural forces on premodern society was tremendous, if not catastrophic.

Download or read book Landscape and Religion from Van Eyck to Rembrandt written by Boudewijn Bakker and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the thought of historical figures seldom consulted by art historians - including Dionysius the Carthusian, John Calvin and Constantijn Huygens - Boudewijn, Bakker sheds new light on the history and significance of landscape in Netherlandish painting. Through his analysis of these writers' conceptions of landscape, Bakker identifies an unexpected dimension of landscape art, one which has its roots in late medieval perceptions of God and creation.

Download or read book Jan Brueghel the Elder written by Arianne Faber Kolb and published by Getty Publications. This book was released on 2005 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.

Download or read book Genre Imagery in Early Modern Northern Europe written by ArthurJ. DiFuria and published by Routledge. This book was released on 2017-07-05 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the rich variety of pictorial rhetoric in early modern northern European genre images, this volume deepens our understanding of genre's place in early modern visual culture. From 1500 to 1700, artists in northern Europe pioneered the category of pictures now known as genre, portrayals of people in ostensibly quotidian situations. Critical approaches to genre images have moved past the antiquated notion that they portray uncomplicated 'slices of life,' describing them instead as heavily encoded pictorial essays, laden with symbols that only the most erudite contemporary viewers and modern iconographers could fully comprehend. These essays challenge that limiting binary, revealing a more expansive array of accessible meanings in genre's deft grafting of everyday scenarios with a rich complex of experiential, cultural, political, and religious references. Authors deploy a variety of approaches to detail genre's multivalent relations to older, more established pictorial and literary categories, the interplay between the meaning of the everyday and its translation into images, and the multifaceted concerns genre addressed for its rapidly expanding, unprecedentedly diverse audience.

Download or read book Ad vivum? written by Thomas Balfe and published by BRILL. This book was released on 2019-06-07 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology – questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors: Thomas Balfe, José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, Joanna Woodall, and Daan Van Heesch.