Janaceks Operas

Download or read book Janácek's Operas written by John Tyrrell and published by Princeton University Press. This book was released on 2014-07-14 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most original and engaging composers of the twentieth century, Leos Janáçek is now regarded as one of its major musical dramatists. His operas have become a regular part of the repertory, but a full understanding of their diverse subjects and backgrounds has been hampered by the lack of source materials in English. John Tyrrell has here selected and translated the chief literary documents relating to the genesis and early performances of each of the composer's nine operas and presented them in the form of a compelling documentary narrative. Janáçek was a vigorous letter-writer and kept every letter he received. A vast quantity of material on his life has survived, providing a unique insight into his working methods and attitudes toward his operas. Scrupulously translated and annotated, the sources in this volume have not previously been brought together in this way. Some have appeared in scattered and often inaccessible publications in Czech, and others, such as the sequence of daily letters that Janáçek wrote to his wife during the rehearsals for the Prague premiere of Jenufa, or his instructions to his librettist for Fate, have never been published before. The book is complemented by a chronology of Janáçek's operas keyed to the numbered documents in each chapter, a bibliography, and a list of sources. Drawing on twenty-five years of work at the Janáçek archive in Brno, this work is a classic of music documentary scholarship. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Download or read book The Operas of Leoš Janáček written by Erik Chisholm and published by Pergamon. This book was released on 1971 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The operas of Leos Janacek written by Erik Chisholm and published by Elsevier. This book was released on 2014-05-17 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Operas of Leoš Janácek presents the comprehensive analysis of Leoš Janácek's operas. This book presents a concise account of Janácek's extraordinary musical background and development as an operatic composer. Organized into seven chapters, this book begins with an overview of Janácek's visit to the London Zoo in 1926, which profoundly influenced his very personal compositional style when he recorded the different cries and sounds of animals in musical notation. This text then describes the nature of Janácek's last two operas, which are characterized by emotional stresses, psychological conflicts, and the turbulence of text and music. Other chapters describe pastoral symphony of the opera The Cunning Little Vixen, which is a touching and sincere tribute to the basic unity of all living creatures of nature. This book discusses as well the characteristic explosive musical prose writing of Janácek. This book is a valuable resource for musicians, instrumentalists, and composers.

Download or read book The Janáček Opera Libretti: Kát'a Kabanová written by Leoš Janáček and published by Scarecrow Press. This book was released on 2003 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the second volume in a series devoted to the Czech operas of Leos Janácek. Word-for-word and idiomatic English translations are provided along with the International Phonetic Alphabet and practical notes on style, to help singers, condcutors, coaches, stages directors, and devoted Janácek fans all to gain an understanding of the opera and how best to perform it in its original language.

Download or read book Janacek written by Mirka Zemanová and published by UPNE. This book was released on 2002 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compelling portrait of this enigmatic musical genius within the context of the cultural and political currents of his time

Download or read book Janacek and His World written by Michael Brim Beckerman and published by Princeton University Press. This book was released on 2003 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.

Download or read book Janácek and His World written by Michael Beckerman and published by Princeton University Press. This book was released on 2011-10-12 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.