J Dillas Donuts

Download or read book J Dilla's Donuts written by Jordan Ferguson and published by Bloomsbury Publishing USA. This book was released on 2014-04-24 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

Download or read book J Dilla's Donuts written by Jordan Ferguson and published by A&C Black. This book was released on 2014-04-24 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compelling, multidisciplinary analysis of hip-hop producer J Dilla's deathbed record Donuts as both a cultural artifact and an example of historical 'late style'.

Download or read book Dilla Time written by Dan Charnas and published by MCD. This book was released on 2022-02-01 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: WINNER OF THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY A NEW YORK TIMES BEST SELLER "This book is a must for everyone interested in illuminating the idea of unexplainable genius.” —QUESTLOVE Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn’t known to mainstream audiences, even though he worked with renowned acts like D’Angelo and Erykah Badu and influenced the music of superstars like Michael Jackson and Janet Jackson. He died at the age of thirty-two, and in his lifetime he never had a pop hit. Yet since his death, J Dilla has become a demigod: revered by jazz musicians and rap icons from Robert Glasper to Kendrick Lamar; memorialized in symphonies and taught at universities. And at the core of this adulation is innovation: a new kind of musical time-feel that he created on a drum machine, but one that changed the way “traditional” musicians play. In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. He also rewinds the histories of American rhythms: from the birth of soul in Dilla’s own “Motown,” to funk, techno, and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something new. Dilla Time is a different kind of book about music, a visual experience with graphics that build those concepts step by step for fans and novices alike, teaching us to “see” and feel rhythm in a unique and enjoyable way. Dilla’s beats, startling some people with their seeming “sloppiness,” were actually the work of a perfectionist almost spiritually devoted to his music. This is the story of the man and his machines, his family, friends, partners, and celebrity collaborators. Culled from more than 150 interviews about one of the most important and influential musical figures of the past hundred years, Dilla Time is a book as delightfully detail-oriented and unique as J Dilla’s music itself.

Download or read book A Tribe Called Quest's People's Instinctive Travels and the Paths of Rhythm written by Shawn Taylor and published by A&C Black. This book was released on 2007-04-20 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Shawn Taylor explores the creation of the album as well as the impact it had on him at the time

Download or read book DJ Shadow's Endtroducing written by Eliot Wilder and published by Bloomsbury Publishing USA. This book was released on 2005-08-19 with total page 111 pages. Available in PDF, EPUB and Kindle. Book excerpt: What resonated about Endtroducing when it was released in 1996, and what makes it still resonate today, is the way in which it loosens itself from the mooring of the known and sails off into an uncharted territory that seems to exist both in and out of time. Josh Davis is not only a master sampler and turntablist supreme, he is also a serious archeologist with a world-thirsty passion (what Cut Chemist refers to as Josh's "spidey sense") for seeking out, uncovering and then ripping apart the discarded graces of some other generation - that "pile of broken dreams" - and weaving them back together into a tapestry of chronic bleakness and beauty. Over the course of several long conversations with Josh Davis (DJ Shadow), we learn about his early years in California, the friends and mentors who helped him along the way, his relationship with Mo'Wax and James Lavelle, and the genesis and creation of his widely acknowledged masterpiece, Endtroducing.

Download or read book Behind the Beat written by Raph and published by Gingko Press Editions. This book was released on 2005 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The revealing photographs found within the pages of Behind the Beat expose the creative spaces of top DJ's and music producers from the UK and US. This book is an open invitation to step into the private world of the hip hop home studio and discover its inner workings. Featured are the studios and equipment of some of the most influential music creators working today including: DJ Premier Dj Spinna, Skitz, Nextmen, Taskforce, Dj Swamp, Dj Cheapshot, E-Swift, Beyond There, Kut masta kurt, Fat jack, Herbaliser, Runaways, Jehst, Beatminerz, Dj Shadow, dj design, Dan the Automator, Chief Xcel, Braintax, Young Einstein, Numark, Cut chemist, Thes one, J zone and Mario Caldato Jnr. Includes an Audio CD with tracks from featured DJs and labels.

Download or read book Bring That Beat Back written by Nate Patrin and published by U of Minnesota Press. This book was released on 2020-06-09 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.