In Search Of Opera

Download or read book In Search of Opera written by Carolyn Abbate and published by Princeton University Press. This book was released on 2003-08-31 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being. Weaving between opera's "facts of life" and a series of works including The Magic Flute, Parsifal, and Pelléas, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera's predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso.

Download or read book In Search of Korean Traditional Opera written by Andrew Peter Killick and published by . This book was released on 2010 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first work on Korean opera in a language other than Korean. Its subject is ch'angguk, a form of musical theatre that has developed over the last hundred years from the older narrative singing tradition of p'ansori. The book examines the history and current practice of ch'angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan.

Download or read book Unsung Voices written by Carolyn Abbate and published by Princeton University Press. This book was released on 1996-04-21 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work looks at the "voices" that speak to us through 19th-century classical music and opera. It proposes interpretive strategies that seek the polyphony and dialogism of music, celebrating musical gestures often marginalized by conventional musical analysis.

Download or read book In Search of Opera written by Carolyn Abbate and published by Princeton University Press. This book was released on 2014-12-25 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization by musicians and singers, she argues that operatic works are indelibly bound to the contingency of live singing, playing, and staging. She seeks a middle ground between operas as abstractions and performance as the phenomenon that brings opera into being. Weaving between opera's "facts of life" and a series of works including The Magic Flute, Parsifal, and Pelléas, Abbate explores a spectrum of attitudes towards musical performance, which range from euphoric visions of singers as creators to uncanny images of musicians as lifeless objects that have been resuscitated by scripts. In doing so, she touches upon several critical issues: the Wagner problem; coloratura, virtuosity, and their critics; the implications of disembodied voice in opera and film; mechanical music; the mortality of musical sound; and opera's predilection for scenes positing mysterious unheard music. An intersection between transcendence and intense physical grounding, she asserts, is a quintessential element of the genre, one source of the rapture that operas and their singers can engender in listeners. In Search of Opera mediates between an experience of opera that can be passionate and intuitive, and an intellectual engagement with opera as a complicated aesthetic phenomenon. Marrying philosophical speculation to historical detail, Abbate contemplates a central dilemma: the ineffability of music and the diverse means by which a fugitive art is best expressed in words. All serious devotees of opera will want to read this imaginative book by s music-critical virtuoso.

Download or read book Carl Maria von Weber and the Search for a German Opera written by Stephen C. Meyer and published by Indiana University Press. This book was released on 2003-01-17 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stephen C. Meyer details the intricate relationships between the operas Der FreischÃ1⁄4tz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der FreischÃ1⁄4tz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances. As a result, Meyer argues that the search for a new German opera was not merely an aesthetic movement, but a political and social critique as well.

Download or read book A History of Opera written by Carolyn Abbate and published by W. W. Norton & Company. This book was released on 2015-09-08 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.

Download or read book Opera in Search of a Just Ruler for a Unified Italy written by Jehoash Hirshberg and published by Brepols Publishers. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pre-condition for the selection of the case studies was that they elicited at least "successo di stima" in more than one city, and that they were favourbly judged by the critics, most importantly by Filippo Filippi. The use of musical forms in the service of drama, most importantly "La Solita Forma", was of paramount importance and will be emphasized in the case studies and supported by the many musical examples from the unjustly forgotten operas. - Jehoash Hirshberg is Professor Emeritus at the Musicology Department, Hebrew University, Jerusalem. His research fields have included the music of the 14th century, the Italian solo concerto at the time of Vivaldi, with a joint book with Simon McVeigh. In the field of and history of Israeli art music he published "Music in the Jewish Community of Palestine 1880-1948" (OUP, 1995)