Impressionist Subjects

Download or read book Impressionist Subjects written by Tamar Katz and published by University of Illinois Press. This book was released on 2023-02-13 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the intersection of ideas about woman, subjectivity, and literary authority, Impressionist Subjects reveals the female subject as crucial in framing contradictions central to modernism, particularly the tension between modernism's claim to timeless art and its critique of historical conditions. Against the backdrop of the New Woman movement of the 1890s, Tamar Katz establishes literary impressionism as integral to modernist form and to the modernist project of investigating the nature and function of subjectivity. Focusing on a duality common to impressionism and contemporary ideas of feminine subjectivity, Katz shows how the New Woman reconciled the paradox of a subject at once immersed in the world and securely enclosed in a mysterious interiority. Book chapters feature discussion of modernists including Walter Pater, George Egerton, Sarah Grand, Henry James, Joseph Conrad, Ford Madox Ford, Dorothy Richardson, and Virginia Woolf. Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.

Download or read book Impressionism written by Jane Bingham and published by Heinemann-Raintree Library. This book was released on 2008 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the Impressionists get their name? Who were the most famous Impressionists? Did the Impressionist style have a lasting impact? 'Impressionism' answers all these questions. It also discusses how and why the Impressionist movement began, looks at how the Impressionists captured the changing effects of light and color in nature, and examines the different subjects Impressionist artists chose for their paintings. 'Art on the Wall' is an exciting and informative series that explores a range of art movements and styles. Each title in the series looks at the history behind the movement and discusses the techniques used by its artists. The text is supported with stunning paintings and other artworks that illustrate each art style. The titles also include biographies of well-known artists and try-it-yourself activities that encourage readers to create their works of art using the techniques of the movement.

Download or read book Impressionism written by Robert L. Herbert and published by Yale University Press. This book was released on 1988-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings

Download or read book The Neo-Impressionist Portrait, 1886?1904 written by Jane Block and published by Yale University Press. This book was released on 2014-03-25 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."

Download or read book Paint with the Impressionists written by Jonathan Stephenson and published by . This book was released on 2019-04 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this innovative approach to Impressionism and its methods, Jonathan Stephenson's instruction enables amateurs the world over to paint like the Impressionists. Vibrantly illustrated in colour throughout, both with well-known works of art and step-by-step examples, the book shows how the masters achieved their diverse effects and how their ideas and styles can be adapted to today's tastes. Sections on the artists provide fascinating insights into individual techniques: learn how Monet produced his oil colour sketches, or how Sisley created his atmospheric landscapes. With an introduction providing the historical background to Impressionism, and a comprehensive section on artists' materials, this is a highly practical book that will appeal both to beginners and more experienced artists, as well as to the many thousands of of people inspired by the brilliance and beauty of Impressionist painting.

Download or read book Childe Hassam, American Impressionist written by Helene Barbara Weinberg and published by Metropolitan Museum of Art. This book was released on 2004 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.

Download or read book Redefining Gender in American Impressionist Studio Paintings written by Kirstin Ringelberg and published by Routledge. This book was released on 2017-07-05 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Were late nineteenth-century gender boundaries as restrictive as is generally held? In Redefining Gender in American Impressionist Studio Paintings: Work Place/Domestic Space, Kirstin Ringelberg argues that it is time to bring the current re-evaluation of the notion of separate spheres to these images. Focusing on studio paintings by American artists William Merritt Chase and Mary Fairchild MacMonnies Low, she explores how the home-based painting studio existed outside of entrenched gendered divisions of public and private space and argues that representations of these studios are at odds with standard perceptions of the images, their creators, and the concept of gender in the nineteenth century. Unlike most of their bourgeois contemporaries, Gilded Age artists, whether male or female, often melded the worlds of work and home. Through analysis of both paintings and literature of the time, Ringelberg reveals how art history continues to support a false dichotomy; that, in fact, paintings that show women negotiating a complex combination of professionalism and domesticity are still overlooked in favor of those that emphasize women as decorative objects. Redefining Gender in American Impressionist Studio Paintings challenges the dominant interpretation of American (and European) Impressionism, and considers both men and women artists as active performers of multivalent identities.