Imitation And Creativity In Japanese Arts

Download or read book Imitation and Creativity in Japanese Arts written by Michael Lucken and published by Columbia University Press. This book was released on 2016-03-29 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts. Choosing a representative work from each of four modern genres—painting, film, photography, and animation—Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914–1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey—Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following.

Download or read book The Japanese and the War written by Michael Lucken and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japanese memories of World War II exert a powerful influence over the nation's society and culture. Michael Lucken explores how the war manifested in literature, art, film, funerary practices, and education reform, creating an idea of Japanese identity that still resonates from soap operas to the response to the Fukushima nuclear disaster.

Download or read book Imitation and Creativity in Japanese Arts written by Michael Lucken and published by Asia Perspectives: History, Society, and Culture. This book was released on 2016 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construction, with roots in Romantic ideals of originality. Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture through several twentieth-century masterpieces.

Download or read book The Culture of Copying in Japan written by Rupert Cox and published by Routledge. This book was released on 2007-09-12 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges the perception of Japan as a ‘copying culture’ through a series of detailed ethnographic and historical case studies. It addresses a question about why the West has had such a fascination for the adeptness with which the Japanese apparently assimilate all things foreign and at the same time such a fear of their skill at artificially remaking and automating the world around them. Countering the idea of a Japan that deviously or ingenuously copies others, it elucidates the history of creative exchanges with the outside world and the particular myths, philosophies and concepts which are emblematic of the origins and originality of copying in Japan. The volume demonstrates the diversity and creativity of copying in the Japanese context through the translation of a series of otherwise loosely related ideas and concepts into objects, images, texts and practices of reproduction, which include: shamanic theatre, puppetry, tea utensils, Kyoto town houses, architectural models, genres of painting, calligraphy, and poetry, ‘sample’ food displays, and the fashion and car industries.

Download or read book Geisha, Harlot, Strangler, Star written by William Johnston and published by Columbia University Press. This book was released on 2005 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1936, Abe Sada committed the most notorious crime in twentieth-century Japan--the murder and emasculation of her lover. This detailed account of Sada's personal history, the events leading up to the crime, and its aftermath steps beyond the simplistic view of Abe Sada as a sexual deviate or hysterical woman to reveal a survivor.

Download or read book Gutai written by Ming Tiampo and published by University of Chicago Press. This book was released on 2011-03-15 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art. Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai’s pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement’s field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history.

Download or read book But Is It Art? written by Cynthia Freeland and published by OUP Oxford. This book was released on 2002-02-07 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.