Hua Yan 1682 1756 And The Making Of The Artist In Early Modern China

Download or read book Hua Yan (1682-1756) and the Making of the Artist in Early Modern China written by Kristen L. Chiem and published by BRILL. This book was released on 2020-05-25 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hua Yan (1682-1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911).

Download or read book Threads of globalization written by Melia Belli Bose and published by Manchester University Press. This book was released on 2024-02-06 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Threads of globalization is an interdisciplinary volume that brings fashion-specific garments, motifs, materials, and methods of production into dialogue with gender and identity in various cultures throughout Asia during the long twentieth century. It examines how the shift from artisanal production to 'fast fashion' over the past 150 years has devalued women’s textile labour and how skilled textile/ garment makers and the organizations that support them are preserving and reviving heritage traditions. It also offers examples of how socially engaged artists in Asia and the diaspora use their work to criticize labour and environmental abuses in the global fashion industry.

Download or read book Arts of Asia written by and published by . This book was released on 2008-07 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Treasures from the Shanghai Museum written by 上海博物館 and published by . This book was released on 1983 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Beyond Chinoiserie written by Petra ten-Doesschate Chu and published by BRILL. This book was released on 2018-11-01 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western “vision of Cathay” formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneously, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book, which deal with artistic relations between China and the West at a time when Western powers’ attempts to extend a sphere of influence in China led to increasingly hostile political interactions.

Download or read book A Modern Miscellany written by Paul Bevan and published by BRILL. This book was released on 2015-11-02 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.

Download or read book Chinese Ways of Seeing and Open-Air Painting written by Yi Gu and published by BRILL. This book was released on 2021-02-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."