How The New Art Of Eurythmy Began

Download or read book How the New Art of Eurythmy Began written by Magdalene Siegloch and published by Temple Lodge Publishing. This book was released on 1997 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the story of the first eurythmist, Lory Maier-Smits, with artistic care and loving detail. The author describes her early exposure to anthroposophy; her training under Rudolf Steiner from 1912; the first performance of eurythmy during the Theosophical Society festival in 1913; Rudolf Steiner's lectures on the new art of movement; the staging of eurythmy under the direction of Marie Steiner; and Maier-Smits' later work as a trainer of eurythmists. Also given is an account of Maier-Smits' path of personal development, her marriage and family life.

Download or read book How the New Art of Eurythmy Began written by Magdalene Siegloch and published by Temple Lodge Publishing. This book was released on 2015-09-11 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: The actual historical moments of birth of the various arts are not known. At most, significant changes of direction are distinguishable – and these are usually detected retrospectively. However, the founding of eurythmy, a new art of movement, has been extensively documented. The story of the first eurythmist, Lory Maier-Smits, told in the pages of this profusely-illustrated book, is a valuable contribution to that legacy. It brings to life the pioneering period when the new artform was being developed under Rudolf Steiner’s personal instruction. Magdalene Siegloch traces Lory Maier-Smits’ biography with artistic care and loving detail. She describes the eurythmist’s early exposure to anthroposophy; her training under Rudolf Steiner from 1912; the first performance of eurythmy during the Theosophical Society festival in 1913; Rudolf Steiner’s lectures on the new art of movement; the staging of eurythmy under the direction of Marie Steiner; and Maier-Smits’ later work as a trainer of eurythmists. Also included is an account of Maier-Smits’ personal path of development, her marriage and family life.

Download or read book An Introduction to Eurythmy written by Rudolf Steiner and published by SteinerBooks. This book was released on 1983-12 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: 16 talks preceding eurythmy performances (CW 277 / 277a) The art of eurythmy strives to make the invisible visible in a harmonious and disciplined play of color, form, sound, and motion. During the early years of the twentieth century when eurythmy was young and little known, Rudolf Steiner's introductory talks prepared nearly 300 audiences for their encounters with this wholly new way of presenting drama, poetry, and music through human movement. Full of life and creativity, these talks illuminate the richness underlying the spiritual laws of this new art form. Sixteen of Steiner's talks on eurythmy are presented here as an introduction to the aesthetic, pedagogical, and therapeutic secrets of this developing art. This volume contains translations of 1st lecture in Die Entstehung und Entwickelung der Eurythmie (GA 277a); and 15 lectures in Eurythmie als Impuls für künstlerisches Betätigen und Betrachten (current edition: Eurythmie. Die Offenbarung der sprechenden Seele, GA 277).

Download or read book The Early History of Eurythmy written by Rudolf Steiner and published by Collected Works of Rudolf Stei. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Notebook entries, addresses, rehearsals, programs, introductions to performances, and talks given before 16 eurythmy performances (CW 277c) The Early History of Eurythmy is the first of three volumes of Rudolf Steiner's "eurythmy addresses," short introductory talks preceding the earliest performances of this new art of movement. Of the nearly 300 transcripts that survive, few have thus far been translated into English. This volume presents, chronologically, the addresses related mostly to drama, generally, and specifically to stage performances of Goethe's Faust and Steiner's mystery dramas. In addition, it features all of Rudolf Steiner's notebook entries on eurythmy, along with all of the extant eurythmy programs from 1913 to 1925, which yield invaluable insights into Steiner's taste and aesthetics. Frederick Amrine's engaging introduction emphasizes that eurythmy is an important episode in the history of dance, but has been unjustly neglected. He contends that eurythmy is a continuation of an aesthetic revolution that began not in Europe but in America; that the original impulses leading to "new dance" were deeply spiritual; and that there are deep but largely unrecognized affinities between "new dance" and eurythmy. This counter-narrative about the prehistory of eurythmy within the history of dance should be of particular interest to English-speaking anthroposophists, because it identifies the pioneering work of three American women as the all-important context for the development of eurythmy: Loie Fuller, Isadora Duncan, and Ruth St. Denis. Drawing on extensive historical documentation, he states that it is eurythmy rather than modern dance that is the rightful heir of Fuller, Duncan, and St. Denis. CONTENTS: Introduction: Eurythmy and the "New Dance," by Frederick Amrine 1. Notebook Entries and an Excerpt from a Letter 2. Addresses and Other Texts Related to Eurythmy 3. Two Rehearsed Readings of "Classical Walpurgis Night" from Goethe's Faust II 4. Eurythmy Programs, Advertisements, and Announcements 5. Chronology and Overview Notes The Early History of Eurythmy is a translation from German of part 3 from Eurythmie. Die Offenbarung der sprechenden Seele (GA 277).

Download or read book Eurythmy Forms for Tone Eurythmy written by Rudolf Steiner and published by SteinerBooks. This book was released on 2009-05 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The art of movement called eurythmy began about eighty years ago, based on Rudolf Steiner's knowledge of spiritual beings and meanings behind various human movements, as well as knowledge of the inner spiritual qualities of human beings when we move. Eurythmy performance is choreographed according to "forms" drawn to reflect the inner nature of spoken language (speech eurythmy) or a musical piece (tone eurythmy), which is the subject of Eurythmy Forms for Tone Eurythmy. Steiner produced about 1500 forms for speech and tone eurythmy to be performed in Dornach and other locations. Many of his forms for tone eurythmy arose spontaneously in response to requests for forms from eurythmists. Steiner's spontaneity is readily apparent in the sketches themselves, with some drawn at rehearsals as he listened to the music. Steiner sketched others in the evening after hearing the music once, making them available for rehearsal the next day. When he was confined to bed during his final illness, he drew forms simply by looking at the sheet music. Eurythmy Forms for Tone Eurythmy contains facsimiles of the Rudolf Steiner's original drawings and, in many cases, instructions for performing them. Included are forms for compositions by Bach, Beethoven, Brahms, Chopin, Franck, Grieg, Handel, Lewerenz, Liszt, Mozart, Reger, Schubert, Schumann, Scriabin, van Stuten, Tartini, and many more. This is a valuable resource for all eurythmists, as well as for those who wish to gain a better understanding of eurythmy forms. This book is intended primarily for eurythmy students, performers, and teachers, and is also useful to anyone who would like to study eurythmy movements and better appreciate eurythmy performances.

Download or read book A Man Before Others written by Rudolf Steiner Press and published by Rudolf Steiner Press. This book was released on 1993 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: This illuminating collection of essays and reminiscences by Rudolf Steiner's pupils and early collaborators contains a wealth of personal details on Steiner and his work. What emerges is his great unity of purpose and breadth of thought, and his ability to attend to the smallest practical details while laying the seeds for spiritual impulses that would flourish far into the future. These essays reveal him as a man of vision, practical ability, humor, and selflessness.

Download or read book Eurythmy, Its Birth and Development written by Rudolf Steiner and published by Rudolf Steiner Press. This book was released on 2019-10-23 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: ‘This gave my mother the opportunity of mentioning to Dr Steiner an idea… Could one affect the physical body in a healing, strengthening and regulating way through certain rhythmical movements of the etheric body – which after all was the centre of all that was rhythmical – as well as of health and illness? Dr Steiner not only enthusiastically affirmed this possibility, but spontaneously declared himself ready to give the necessary directions which I could then work out with my mother’s help.’ – Lory Maier-Smits Alongside original material by Rudolf and Marie Steiner, this volume features unique first-hand accounts of the birth of the art of eurythmy by a number of its early students and practitioners. The practical and artistic stages of its development are chronicled in detail, alongside reports from the first public performance onwards. Rudolf Steiner offers inspiration to the original eurythmists to make their own discoveries – to perceive and fashion in movement their creative ‘inner voice’. The artistic principles are established for later development and elaboration, to reveal and foster human creativity in many poetic and musical contexts. Through the text, links between eurythmy and temple-dances, that accompanied ancient initiations, gradually emerge. The impulse to dance is rediscovered as inherent in the ‘lost Word’, or the primordial root language still available in ‘genetic etymology’– the sounds of speech used in all languages. Music eurythmy, we learn, did not start from dancing, but from the archetypal structure of the musical system. Consequently, we can witness directly how an eloquent performing art can properly develop when technique and inspiration meet. The text is supported by extensive supplementary material, including eurythmy forms, a chronological survey, notes and indexes.