Hollywood Hybrids

Download or read book Hollywood Hybrids written by Ira Jaffe and published by Genre and Beyond: A Film Studies Series. This book was released on 2008 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'He wanted to move in and out of the various signature styles of all these genres_Western, melodrama, thriller, horror, ' said cinematographer Robert Richardson of Quentin Tarantino's goals in making Kill Bill: Vols. 1 & 2. Through close readings of work by major U.S. filmmakers such as Tarantino, David Lynch, Errol Morris, Todd Haynes, and Joel and Ethan Coen, Hollywood Hybrids studies provocative, disorienting strategies of genre mixing in contemporary cinema. The book also investigates foreign parallels to U.S. hybrid cinema in films by such directors as Pedro Almod-var (Spain) and Stephen Chow (Hong Kong). Rather than explore genre primarily from the standpoint of movie critics, producers, marketers, and spectators, Hollywood Hybrids focuses on genre mixing as a key creative interest motivating celebrated filmmakers. The book thus relates genre to auteur theory. Hollywood Hybrids also links recent hybrid cinema to earlier instances of hybrid form in film and other arts, including painting, music, literature, and architecture. The book concludes that hybrid films allude not only to multiple films and genres, but also to hybrid features of consciousness and identity that increasingly heighten as well as complicate human experience.

Download or read book A Companion to Film Noir written by Andre Spicer and published by John Wiley & Sons. This book was released on 2013-06-27 with total page 662 pages. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars

Download or read book Film Genre written by Barry Keith Grant and published by Wallflower Press. This book was released on 2007 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a concise analysis of film genre, this text introduces the topic in an accessible manner, covering theory and sample analyses of genre films such as the western, science fiction and the musical, through to horror, comedy and the thriller.

Download or read book Genre and Hollywood written by Steve Neale and published by Routledge. This book was released on 2005-06-20 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Genre and Hollywood provides a comprehensive introduction to the study of genre. In this important new book, Steve Neale discusses all the major concepts, theories and accounts of Hollywood and genre, as well as the key genres which theorists have written about, from horror to the Western. He also puts forward new arguments about the importance of genre in understanding Hollywood cinema. Neale takes issue with much genre criticism and genre theory, which has provided only a partial and misleading account of Hollywood's output. He calls for broader and more flexible conceptions of genre and genres, for more attention to be paid to the discourses and practices of Hollywood itself, for the nature and range of Hollywood's films to be looked at in more detail, and for any assessment of the social and cultural significance of Hollywood's genres to take account of industrial factors. In detailed, revisionist accounts of two major genres - film noir and melodrama - Neale argues that genre remains an important and productive means of thinking about both New and old Hollywood, its history, its audiences and its films.

Download or read book Now a Major Motion Picture written by Christine Geraghty and published by Rowman & Littlefield. This book was released on 2008 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall--elements that many movie critics tend to forget when focusing solely on faithfulness to the written word.

Download or read book Hybrids, Super Soldiers & the Coming Genetic Apocalypse Vol.1 written by Billy Crone and published by Lulu.com. This book was released on 2020-04-02 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: "What if I were to tell you that virtually every plant species known to mankind is on the verge of going out of existence? Then what if I were to inform you that all the animals on planet earth as we know them today are being genetically altered in ways that will have dreadful irreversible side effects?"--Back cover

Download or read book The cultural politics of contemporary Hollywood film written by Chris Beasley and published by Manchester University Press. This book was released on 2019-01-21 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adopting and developing a ‘cultural politics’ approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. ‘Security’ films present ideas concerning public order and disorder, citizen–state relations and the politics of fear. ‘Relationalities’ films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In ‘socially critical’ films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and ‘soft power’ relations whose reach is both deep and broad.