Historical Harpsichord Technique

Download or read book Historical Harpsichord Technique written by Yonit Lea Kosovske and published by Indiana University Press. This book was released on 2011-07-11 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.

Download or read book Technique and Interpretation on the Harpsichord and Clavichord written by Richard Troeger and published by Bloomington : Indiana University Press. This book was released on 1987 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Playing the Harpsichord Expressively written by Mark Kroll and published by Scarecrow Press. This book was released on 2004 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives a practical method for playing the harpsichord in a way that was lost when the instrument was marginalized by the piano in the 19th century. Since a thorough knowledge of historical performance practice is such an important aspect of playing this repertoire, excerpts from relevant primary sources are given at the end of many of the lessons.

Download or read book Clavichord for Beginners written by Joan Benson and published by Indiana University Press. This book was released on 2014-04-25 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.

Download or read book J.S. Bach's Keyboard Technique written by Quentin Faulkner and published by Concordia Publishing House. This book was released on 1984 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussion of various aspects of Bach's keyboard techniques with special emphasis on fingering.

Download or read book L'art de Toucher Le Clavecin written by François Couperin and published by . This book was released on 1974 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book "Isolde Ahlgrimm, Vienna and the Early Music Revival " written by Peter Watchorn and published by Routledge. This book was released on 2017-07-05 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. She trained as a pianist at the Musikakademie in Vienna under the instruction of Viktor Ebenstein, Emil von Sauer and Franz Schmidt. In 1934 she met the musical instrument collector, Dr Erich Fiala, whom she married in 1938. His activities opened up the world of early instruments to her. Using a 1790 fortepiano by Michael Rosenberger, Isolde Ahlgrimm began her career as a specialist on early keyboard instruments with the first in her notable series of Concerte f?r Kenner und Liebhaber, given in Vienna's Palais Palffy in February 1937. Ahlgrimm's career as a harpsichordist also began in 1937, when a new instrument was commissioned from the Ammer brothers in Eisenberg, Germany. In 1943 Ahlgrimm performed her first all-harpsichord programme, which consisted of the Goldberg Variations by J.S. Bach. From 1949 to 1956, she devoted herself to performing and recording nearly all of Bach's harpsichord music for the newly-founded Dutch label, Philips, presenting her new approach to the harpsichord to a wider audience. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Most obviously, Ahlgrimm's harpsichord performances eliminated frequent registration changes (her instrument had hand stops rather than pedals to change registers), and largely eschewed the massive ritardandi and other anachronistic performance practices that were hallmarks of Landowska's essentially Romantic style. Ahlgrimm researched and emphasized rhetorical traditions on which the music was based. This became more pronounced throughout the course of her later performing, writing and teaching career, and it was the beginning of an approach to the performance of eighteenth-century musi