Genre in Archaic and Classical Greek Poetry: Theories and Models

Genre in Archaic and Classical Greek Poetry: Theories and Models
Author :
Publisher : BRILL
Total Pages : 422
Release :
ISBN-10 : 9789004412590
ISBN-13 : 900441259X
Rating : 4/5 (90 Downloads)

Book Synopsis Genre in Archaic and Classical Greek Poetry: Theories and Models by :

Download or read book Genre in Archaic and Classical Greek Poetry: Theories and Models written by and published by BRILL. This book was released on 2019-10-14 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Genre in Archaic and Classical Greek Poetry foregrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho’s songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.

Genre in Archaic and Classical Greek Poetry

Genre in Archaic and Classical Greek Poetry
Author :
Publisher : Mnemosyne, Supplements
Total Pages : 408
Release :
ISBN-10 : 9004411429
ISBN-13 : 9789004411425
Rating : 4/5 (29 Downloads)

Book Synopsis Genre in Archaic and Classical Greek Poetry by : Margaret Foster

Download or read book Genre in Archaic and Classical Greek Poetry written by Margaret Foster and published by Mnemosyne, Supplements. This book was released on 2020 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Genre in Archaic and Classical Greek Poetryforegrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho's songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.

Approaches to Archaic Greek Poetry

Approaches to Archaic Greek Poetry
Author :
Publisher : Claudio Meliadò
Total Pages : 310
Release :
ISBN-10 : 9788882680305
ISBN-13 : 8882680304
Rating : 4/5 (05 Downloads)

Book Synopsis Approaches to Archaic Greek Poetry by : Xavier Riu

Download or read book Approaches to Archaic Greek Poetry written by Xavier Riu and published by Claudio Meliadò. This book was released on 2012 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A Companion to Ancient Greek and Roman Music

A Companion to Ancient Greek and Roman Music
Author :
Publisher : John Wiley & Sons
Total Pages : 564
Release :
ISBN-10 : 9781119275473
ISBN-13 : 1119275474
Rating : 4/5 (73 Downloads)

Book Synopsis A Companion to Ancient Greek and Roman Music by : Tosca A. C. Lynch

Download or read book A Companion to Ancient Greek and Roman Music written by Tosca A. C. Lynch and published by John Wiley & Sons. This book was released on 2020-07-08 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.

A Companion to Ancient Greek and Roman Music

A Companion to Ancient Greek and Roman Music
Author :
Publisher : John Wiley & Sons
Total Pages : 565
Release :
ISBN-10 : 9781119275503
ISBN-13 : 1119275504
Rating : 4/5 (03 Downloads)

Book Synopsis A Companion to Ancient Greek and Roman Music by : Tosca A. C. Lynch

Download or read book A Companion to Ancient Greek and Roman Music written by Tosca A. C. Lynch and published by John Wiley & Sons. This book was released on 2020-06-29 with total page 565 pages. Available in PDF, EPUB and Kindle. Book excerpt: A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.

Solo Dance in Archaic and Classical Greek Literature

Solo Dance in Archaic and Classical Greek Literature
Author :
Publisher : Cambridge University Press
Total Pages : 259
Release :
ISBN-10 : 9781108617321
ISBN-13 : 1108617328
Rating : 4/5 (21 Downloads)

Book Synopsis Solo Dance in Archaic and Classical Greek Literature by : Sarah Olsen

Download or read book Solo Dance in Archaic and Classical Greek Literature written by Sarah Olsen and published by Cambridge University Press. This book was released on 2020-12-10 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Ancient Greek dance” traditionally evokes images of stately choruses or lively Dionysiac revels – communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It argues that dancing alone signifies transgression and vulnerability in the Greek cultural imagination, as isolation from the chorus marks the separation of the individual from a range of communal social structures. It also demonstrates that the solo dancer is a powerful figure for literary exploration and experimentation, highlighting the importance of the singular dancing body in the articulation of poetic, narrative, and generic interests across Greek literature. Taking a comparative approach and engaging with current work in dance and performance studies, this book reveals the profound literary and cultural importance of the unruly solo dancer in the ancient Greek world.

Divine Music in Archaic and Classical Greek Art

Divine Music in Archaic and Classical Greek Art
Author :
Publisher : Cambridge University Press
Total Pages : 303
Release :
ISBN-10 : 9781009315937
ISBN-13 : 1009315935
Rating : 4/5 (37 Downloads)

Book Synopsis Divine Music in Archaic and Classical Greek Art by : Carolyn Laferrière

Download or read book Divine Music in Archaic and Classical Greek Art written by Carolyn Laferrière and published by Cambridge University Press. This book was released on 2024-01-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Carolyn M. Laferrière examines Athenian vase-paintings and reliefs depicting the gods most frequently shown as musicians to reconstruct how images suggest the sounds of the music the gods made. Incorporating insights from recent work in sensory studies, she applies formal analysis together with literary and archaeological evidence to reconstruct the musical culture of Athens. Laferrière shows how images suggest the sounds of the gods' music. This representational strategy, whereby sight and sound are blurred, conveys the 'unhearable' nature of their music: Because it cannot be physically heard, it falls to human imagination to provide its sounds and awaken viewers' multisensory engagement. Moreover, when situated within their likely original contexts, the objects establish a network of interaction between the viewer, the visualized music, and the landscape, all of which determined how divine music was depicted, perceived, and reciprocated. Laferrière demonstrates that participation in the gods' musical performances offered worshippers an multisensory experience of divine presence.