Engraved Gems And Propaganda In The Roman Republic And Under Augustus

Download or read book Engraved Gems and Propaganda in the Roman Republic and under Augustus written by Paweł Gołyźniak and published by Archaeopress Publishing Ltd. This book was released on 2020-05-14 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies small but highly captivating artworks from antiquity – engraved gemstones. These objects had multiple applications, and the images upon them captured snapshots of people's beliefs, ideologies, and everyday occupations. They provide a unique perspective on the propaganda of Roman political leaders, especially Octavian/Augustus.

Download or read book Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire written by Julia C. Fischer and published by Taylor & Francis. This book was released on 2024-04-10 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines the five extant large Imperial cameos of the Early Roman Empire as a coherent whole, revealing that these gemstones were a referential group with complex interrelationships. Power and Propaganda in the Large Imperial Cameos of the Early Roman Empire offers a feminist theory that explains why large Imperial cameos were in dialogue and why the medium appears with Octavian and disappears by the Flavian dynasty: female Imperial family members commissioned them to advance their husbands and sons. This volume is an introduction to large Imperial cameos and reveals their importance for the understanding of Roman art and iconography and the implications of its theorized Imperial female patronage. The book will be of interest to scholars working in art history, classics, and archaeology.

Download or read book Roman Art written by Nancy Lorraine Thompson and published by Metropolitan Museum of Art. This book was released on 2007 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.

Download or read book Augustus: From Republic to Empire written by Grażyna Bąkowska-Czerner and published by Archaeopress Publishing Ltd. This book was released on 2018-02-28 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proceedings from the conference ‘AUGUSTUS. 23 September 63 BC – 19 August 14 AD – 2000 years of divinity’ held in Kakow, 2014. Papers deal with a variety of topics ranging from architecture, urban issues and painting to fine art represented by glyptics and numismatics.

Download or read book The Oxford Handbook of Roman Imagery and Iconography written by Lea K. Cline and published by Oxford University Press. This book was released on 2021-12-29 with total page 593 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions of iconographic analysis and visual semiotics that have framed the modern study of these images. As such topics-or, more directly, the isolation of these topics from medium-specific or strictly temporal evaluations of Roman art-are uncommon in monograph-length studies, our goal is that this handbook will be an important reference for both the communicative value of images in the Roman world and the tradition of iconographical analysis. The chapters herein represent contributions from a number of leading and emerging authorities on Roman imagery and iconography from across the world, representing a variety of academic traditions and methods of image analysis"--

Download or read book Statius and Ovid written by Tommaso Spinelli and published by Cambridge University Press. This book was released on 2024-05-31 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first in-depth exploration of the extent and significance of Ovidian intertexts in Statius' Thebaid, with particular emphasis on the interplay between poetics, politics, and material culture. Introducing New Historicist, Cultural Materialistic, and Intermedial approaches to Latin literature, it suggests that, despite their Virgilian patina, Statius' depictions of landscapes, heroes, and gods are pervaded by verbal and semantic allusions to Ovid's mythical narratives. This multi-layered allusivity not only prompts alternative readings of the Augustan classics, but also challenges the reader's perceptions of the Augustanising worldview that the urban landscape of Flavian Rome was arguably meant to convey. The poetic and political significance of Statius' Theban saga thereby moves from critically rewriting the Aeneid to reflecting on the new socio-political issues of Flavian Rome. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Download or read book Luxury Arts of the Renaissance written by Marina Belozerskaya and published by Getty Publications. This book was released on 2005-10-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.