Early Cambridge Theatres

Download or read book The Cambridge Introduction to Early English Theatre written by Janette Dillon and published by Cambridge University Press. This book was released on 2006-06-12 with total page 39 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible introduction to early English theatre, from the late medieval period to 1642.

Download or read book The Cambridge Companion to Theatre History written by David Wiles and published by Cambridge University Press. This book was released on 2013 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.

Download or read book Early Cambridge Theatres written by Alan H. Nelson and published by Cambridge University Press. This book was released on 1994-08-25 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book attempts a reconstruction of early Cambridge theatres, based on the abundant surviving records.

Download or read book A History of African American Theatre written by Errol G. Hill and published by Cambridge University Press. This book was released on 2003-07-17 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents

Download or read book A History of Japanese Theatre written by Jonah Salz and published by Cambridge University Press. This book was released on 2016-07-14 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.

Download or read book The Cambridge Guide to World Theatre written by Martin Banham and published by . This book was released on 1990 with total page 1104 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive guide to theater with two main emphases, on international theater and on performance in its widest sence, which is a rich source of information for students, professionals, theatergoers and the general reader and also acts as a stimulus to further exploration of areas of world theaters often neglected in many contemporary works of reference. Entries are arranged alphabetically and provide factual information on important traditions, theories, companies, playwrights, practioners, venues and events, with over 250 informative illustrations.

Download or read book Theatres and Encyclopedias in Early Modern Europe written by William N. West and published by Cambridge University Press. This book was released on 2006-11-02 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyzes the discourses and practices that defined Renaissance theater, as related to the development of encyclopedic texts and vice versa. Looking at what "theater" meant to medieval and Renaissance writers and critics, William West sets Renaissance drama within one of its cultural and intellectual contexts. Although the study focuses on the Renaissance, it also draws on and analyzes substantial classical and medieval material. It is of equal interest to intellectual historians, theater historians and students of early literature.