Devotional Cinema

Download or read book Devotional Cinema written by Nathaniel Dorsky and published by Tuumba Press. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary Nonfiction. Cinema Studies. Revised 3rd Edition. Devotional Cinema offers an exploration into the language of film, reprised from a lecture on religion and cinema delivered at Princeton University. The new edition includes additions and changes related to the author's understanding of Carl Theodor Dreyer's The Passion of Joan of Arc as well as other smaller clarifications. Dorsky has been making and exhibiting films within the avant-garde tradition since 1964.

Download or read book The Hidden God written by Mary Lea Bandy and published by The Museum of Modern Art. This book was released on 2003 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: "... offers a range of approaches to cinema's explorations of a hidden or absent God through a group of essays by thirty-five writers who discuss some fifty movies"--p. 11.

Download or read book Devotional Cinema written by Nathaniel Dorsky and published by . This book was released on 2005-03-16 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt: If you are interested in film, or poetry, or awareness, or embodiment, or the experience of art, you may love this book. -Recommended by Maia, City Lights Books Nathaniel Dorsky has been making and exhibiting films within the avant-garde tradition since 1964.

Download or read book Filming the Gods written by Rachel Dwyer and published by Routledge. This book was released on 2006-09-27 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.

Download or read book Jesus Loves Movies written by Phil Strangolagalli and published by . This book was released on 2018-10-26 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intriguing title, eh? Drama. Comedy. Thriller. Action. Jesus loves them all. And yes, even horror movies. It's time to sit back and relax, grab some popcorn, watch some movies, and get ready to experience God in a way that you were made to.

Download or read book Christ, Culture and Cinema written by Jeffrey Skopak and published by . This book was released on 2021 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Explores how Christians can connect with culture using movies and biblical accounts, helping Christians learn to apply their faith to the world around them"--

Download or read book The Grace of Destruction written by Elena del R�o and published by Bloomsbury Publishing USA. This book was released on 2017-11-30 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: For Elena del R�o, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence. Drawing inspiration from Deleuze's ethics of immanence, Spinoza's ethology of passions and Nietzsche's typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema from the affirmative perspective of vital forces and situations-extremities such as moral/religious oppression, biopolitical violence, the pain involved in gender relations, the event of death and planetary extinction. Her analysis diverges from the current literature on extreme cinema through its selection of films, which include key international examples, and through its foregrounding of relational, affective politics over representations of sexuality and graphic violence. Detailed formal and philosophical analyses of films like The White Ribbon, Dogville, Code Unknown, Battle in Heaven, Sonatine, Fireworks, Dolls, Takeshis', Inland Empire and Melancholia are meant to move us away from the moral appraisal of violence and destruction, and to compose an ethological philosophy of cinema based on Deleuze's idea that, ?when truth and judgment crumble, there remain bodies, which are... nothing but forces.?