Commemorative Modernisms

Download or read book Commemorative Modernisms written by Kelly Alice Kelly and published by Edinburgh University Press. This book was released on 2020-07-06 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reconsiders the relationship between the Great War and modernism through women's literary representations of deathProvides the first sustained study of death and commemoration in women's literature in the wartime and postwar periodOffers a reconsideration of the relationship between the First World War and literary modernism through the lens of women's writing Considers the literary impact of the vast mortality of the First World War and the culture of war commemoration on British and American women's writingOne of the key questions of modern literature was the problem of what to do with the war dead. Through a series of case studies focusing on nurse narratives, Edith Wharton, Katherine Mansfield, H.D., and Virginia Woolf, as well as visual and material culture, this book provides the first sustained study of women's literary representations of death and the culture of war commemoration that underlie British and American literary modernism. Considering previously neglected writing by women in the war zones and at home, as well as the marginalised writings of well-known modernist authors, and drawing on international archival research, this book demonstrates the intertwining of modernist, war, and memorial culture, and broadens the canon of war writing.

Download or read book Posthumous Lives written by Bette London and published by Cornell University Press. This book was released on 2022-04-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Posthumous Lives explores the shifting significance of public and private efforts to commemorate British soldiers killed in World War I—as well as the less well-remembered casualties of the war, including Voluntary Aid Detachments, nurses, conscientious objectors, civilians, and soldiers executed for desertion or cowardice—and the compelling hold the First World War has had on the British imagination for more than a century. By using the concept of the posthumous life—the attempt to extend the presence of the dead into the lives of the living—Bette London demonstrates how this idea came to shape Britain's First World War memory practices and rituals. London draws on a diverse range of source materials—from sentimental memorabilia books commissioned by bereaved families and canonical works of literature and art by Virginia Woolf, Wilfred Owen, and Sir Edwin Lutyens to centenary memorials and commemorative art installations—to uncover the surprising connections between memorialization practices, war writing, and modernism. Spanning the century from the middle of World War I to its centenary celebrations, Posthumous Lives illuminates, in a deeply moving narrative, how the dead are remembered to meet the shifting needs of the living.

Download or read book Commemorative Modernisms written by Alice Kelly and published by Edinburgh University Press. This book was released on 2020-07-06 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides the first sustained study of women's literary representations of death and the culture of war commemoration that underlies British and American literary modernism.

Download or read book Great War Modernists written by Lee M. Jenkins and published by Bloomsbury Publishing. This book was released on 2024-07-11 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking 44 Mecklenburgh Square as the focal point and springboard for a critical group study of D.H. Lawrence, H.D. and Richard Aldington, this book offers a fresh perspective on the relationship of modernist biofiction and poetry to the literature of the First World War. A group that Perdita Schaffner described as 'another Bloomsbury set', the Mecklenburgh Square writers, like the Bloomsbury Group proper, 'lived in squares' and 'loved in triangles', in Dorothy Parker's famous formulation. Geographically adjacent, these sets intersected socially and, at points, in their aesthetics: both practiced innovative forms of what may broadly be defined as 'life writing'. But, demarcating the Mecklenburgh Square writers from the Bloomsbury Set, the former had its origins in the transatlantic avant-garde: Lawrence. H.D., Aldington (and John Cournos) were all associated with Imagism, the poetic movement which instantiated Anglo-American modernism. Considered as a pro-tem collective, these four poets, all of whom were also novelists and translators, contest the binaries that still obtain between modernist and First World War writing. This group study of Lawrence, H.D., Aldington and Cournos tracks the transition of Imagism from a pre-war mode to a war poetics which includes but is not confined to the trench lyric and it traces, in the transtextual relations between the Mecklenburgh Square novels, the traumatic imprint of the war on modernist life writing.

Download or read book Writers at War written by Isabelle Brasme and published by Taylor & Francis. This book was released on 2023-01-31 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Writers at War addresses the most immediate representations of the First World War in the prose of Ford Madox Ford, May Sinclair, Siegfried Sassoon and Mary Borden; it interrogates the various ways in which these writers contended with conveying their war experience from the temporal and spatial proximity of the warzone and investigates the multifarious impact of the war on the (re)development of their aesthetics. It also interrogates to what extent these texts aligned with or challenged existing social, cultural, philosophical and aesthetic norms. While this book is concerned with literary technique, the rich existing scholarship on questions of gender, trauma and cultural studies on World War I literature serves as a foundation. This book does not oppose these perspectives but offers a complementary approach based on close critical reading. The distinctiveness of this study stems from its focus on the question of representation and form and on the specific role of the war in the four authors’ literary careers. This is the first scholarly work concerned exclusively with theorising prose written from the immediacy of the war. This book is intended for academics, researchers, PhD candidates, postgraduates and anyone interested in war literature.

Download or read book A Son at the Front written by Edith Wharton and published by Oxford University Press. This book was released on 2023-02-21 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.

Download or read book Modernism on the Nile written by Alex Dika Seggerman and published by UNC Press Books. This book was released on 2019-08-13 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.