Cinematic Ethics

Download or read book Cinematic Ethics written by Robert Sinnerbrink and published by Routledge. This book was released on 2015-10-23 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Cinematic Ethics: Exploring Ethical Experience through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking. In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics.

Download or read book Emotions, Ethics, and Cinematic Experience written by Robert Sinnerbrink and published by Berghahn Books. This book was released on 2021-06-11 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.

Download or read book Ethics of Cinematic Experience written by Orna Raviv and published by Routledge. This book was released on 2019-10-29 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ethics of Cinematic Experience: Screens of Alterity deals with the relationship between cinema and ethics from a philosophical perspective, finding an intrinsic connection between film spectatorship and the possibility of being open to different modes of alterity. The book's main thesis is that openness to otherness is already found in the basic structures of cinematic experience. Through a close examination of the ethical relevance of the philosophy of Maurice Merleau-Ponty, Stanley Cavell, Emmanuel Levinas and Gilles Deleuze to cinema studies, Ethics of Cinematic Experience: Screens of Alterity pursues the question of how film can open the viewer to what is not her, and so bring her to encounter otherness in a way that is unique to cinematic experience. The book sees ethics as not just the subject, content or story of a film but part of its aesthetic structure. Accompanied by readings of films mainly from mainstream cinema, each chapter focuses on a different aspect of the encounter with alterity through cinema. The book gives particular attention to how theoretical discussion of the cinematic close-up can lead to ethical insights into the status of both the human and the non-human in film, and thus lead to an understanding of the relationships the viewer makes with them. The book is a helpful resource for students and scholars interested in the relationship between philosophy, film and ethics, and is appropriate for students of philosophy and media and cultural studies.

Download or read book Ethics at the Cinema written by Ward E. Jones and published by Oxford University Press. This book was released on 2011-01-07 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The editors of Ethics at the Cinema invited a diverse group of moral philosophers and philosophers of film to engage with ethical issues raised within, or within the process of viewing, a single film of each contributor's choice. The result is a unique collection of considerable breadth. Discussions focus on both classic and modern films, and topics range from problems of traditional concern to philosophers (e.g. virtue, justice, and ideals) to problems of traditional concern to filmmakers (e.g. sexuality, social belonging, and cultural identity).

Download or read book More Than a Movie written by F. Miguel Valenti and published by . This book was released on 2000 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the ethical aspects of filmmaking and television broadcasting.

Download or read book Cine-Ethics written by Jinhee Choi and published by Routledge. This book was released on 2013-10-15 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume looks at the significance and range of ethical questions that pertain to various film practices. Diverse philosophical traditions provide useful frameworks to discuss spectators’ affective and emotional engagement with film, which can function as a moral ground for one’s connection to others and to the world outside the self. These traditions encompass theories of emotion, phenomenology, the philosophy of compassion, and analytic and continental ethical thinking and environmental ethics. This anthology is one of the first volumes to open up a dialogue among these diverse methodologies. Contributors bring to the fore some of the assumptions implicitly shared between these theories and forge a new relationship between them in order to explore the moral engagement of the spectator and the ethical consequences of both producing and consuming films

Download or read book Towards a Feminist Cinematic Ethics written by Kristin Lene Hole and published by Edinburgh University Press. This book was released on 2015-12-31 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Develops an account of non-normative feminist cinematic ethics and a fresh methodological approach to film-philosophy.