Cinema And The Republic

Download or read book Cinema and the Republic written by Jonathan Ervine and published by University of Wales Press. This book was released on 2013-05-15 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France's Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge cliches about these areas. The conclusion assesses what these films show about contemporary French political cinema. Introduction Chapter One: Cinema and the Republic Chapter Two: T he Sans-papiers on Screen – Contextualising Immigrant Experiences in Film Chapter Three: Double peine: The Challenges of Mobilising Support for Foreign Criminals via Cinema Chapter Four: C hallenging or Perpetuating Clichés? Young People and the Police in France’s Banlieues Chapter Five: C hallenging Stereotypes about France’s Banlieues by Shifting the Focus? Conclusion Notes Filmography and Bibliography Index

Download or read book Movies at Home written by Kerry Segrave and published by McFarland. This book was released on 1999-01-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship of Hollywood and television, initially turbulent, has ultimately been profitable from the first sally in what was expected to be a war of attrition, up through the soliciting of movies by major networks, independent stations, basic cable networks, premium cable channels, pay-per-view systems and even the corner video store. When their initial efforts to acquire ownership interests in television outlets were thwarted, Hollywood's major movie studios determined to withhold from the tube not only their films but also their actors, no doubt in hopes of making the rival medium appear a weak substitute for cinema. With ticket sales shrinking and television set purchases booming, the studios, erasing their last contemptuously drawn line in the sand, grudgingly released their films to television--and made a fortune.

Download or read book Taiwan Cinema as Soft Power written by Song Hwee Lim and published by Oxford University Press. This book was released on 2021-12-17 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why has Taiwanese film been so appealing to film directors, critics, and audiences across the world? This book argues that because Taiwan is a nation without hard political and economic power, cinema becomes a form of soft power tool that Taiwan uses to attract global attention, to gain support, and to build allies. Author Song Hwee Lim shows how this goal has been achieved by Taiwanese directors whose films win the hearts and minds of foreign audiences to make Taiwan a major force in world cinema. The book maps Taiwan's cinematic output in the twenty-first century through the three keywords in the book's subtitle-authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that begun in the early 1980s that has had a lasting impact upon filmmakers and cinephiles worldwide for nearly forty years. By examining case studies that include Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang, this book suggests that authorship is central to Taiwan cinema's ability to transcend borders to the extent that the historiographical writing of Taiwan cinema has to be reimagined. It also looks at the scaling down of soft power from the global to the regional via a cultural imaginary called little freshness, which describes films and cultural products from Taiwan that have become hugely popular in China and Hong Kong. In presenting Taiwan cinema's significance as a case of a small nation with enormous soft power, this book hopes to recast the terms and stakes of both cinema studies and soft power studies in academia.

Download or read book East Asian Screen Industries written by Darrell Davis and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: East Asian Screen Industries is a guide to the film industries of Japan, South Korea, Taiwan, Hong Kong and the PRC. The authors examine how local production has responded to global trends and explore the effects of widespread de-regulation and China's accession to the World Trade Organisation.

Download or read book Cinema, Nation, and Empire in Uzbekistan, 1919–1937 written by Cloé Drieu and published by Indiana University Press. This book was released on 2019-01-01 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines the creation of the Soviet State in Central Asia through the lens of Uzbek cinema—from the collapse of the Russian Empire to WWII. Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged. In Cinema, Nation, and Empire in Uzbekistan Cloé Drieu argues that the Uzbek films of this period provide a perfect angle for viewing the complex history of domination, nationalism, and empire building within the Soviet sphere. By exploring all of film’s dimensions—including production, reception, and discourse—Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs. Combining research in the Uzbek and Russian State Archives and in-depth analyses of fourteen films, Drieu’s work examines the debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, only to suffer a new style of domination in the run-up to the Stalinist period and repression of the late 1930s.

Download or read book Salvation from Cinema written by Crystal Downing and published by Routledge. This book was released on 2015-10-23 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Salvation from Cinema offers something new to the burgeoning field of "religion and film": the religious significance of film technique. Discussing the history of both cinematic devices and film theory, Crystal Downing argues that attention to the material medium echoes Christian doctrine about the materiality of Christ’s body as the medium of salvation. Downing cites Jewish, Muslim, Buddhist, and Hindu perspectives on film in order to compare and clarify the significance of medium within the frameworks of multiple traditions. This book will be useful to professors and students interested in the relationship between religion and film.

Download or read book Popular Cinemas in East Central Europe written by Dorota Ostrowska and published by Bloomsbury Publishing. This book was released on 2017-06-30 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: The continued interest in the social and cultural life of the former Warsaw pact countries – looking at but also beyond their socialist pasts – encompasses a desire to know more about their national cinemas. Yet, despite the increasing consumption of films from these countries – via DVD, VOD platforms and other alternative channels – there is a lack of comprehensive information on this key aspect of visual culture. This important book rectifies the glaring gap and provides both a history and a contemporary account of East Central European cinema in the pre-WW2, socialist, and post-socialist periods. Demonstrating how at different historical moments popular cinema fulfilled various roles, for example in the capacity of nation-building, and adapted to the changing markets of a morphing political landscape, chapters bring together experts in the field for the definitive analysis of mainstream cinema in the region. Celebrating the unique contribution of films from Hungary, the Czech Republic/Czechoslovakia and Poland, from the award-winning Cosy Dens to cult favourite Lemonade Joe, and from 1960s Polish Westerns to Hollywood-influenced Hungarian movies, the book addresses the major themes of popular cinema. By looking closely at genre, stardom, cinema exhibition, production strategies and the relationship between the popular and the national, it charts the remarkable evolution and transformation of popular cinema over time. The continued interest in the social and cultural life of the former Warsaw pact countries – looking at but also beyond their socialist pasts – encompasses a desire to know more about their national cinemas. Yet, despite the increasing consumption of films from these countries – via DVD, VOD platforms and other alternative channels – there is a lack of comprehensive information on this key aspect of visual culture. This important book rectifies the glaring gap and provides both a history and a contemporary account of East Central European cinema in the pre-WW2, socialist, and post-socialist periods. Demonstrating how at different historical moments popular cinema fulfilled various roles, for example in the capacity of nation-building, and adapted to the changing markets of a morphing political landscape, chapters bring together experts in the field for the definitive analysis of mainstream cinema in the region. Celebrating the unique contribution of films from Hungary, the Czech Republic/Czechoslovakia and Poland, from the award-winning Cosy Dens to cult favourite Lemonade Joe, and from 1960s Polish Westerns to Hollywood-influenced Hungarian movies, the book addresses the major themes of popular cinema. By looking closely at genre, stardom, cinema exhibition, production strategies and the relationship between the popular and the national, it charts the remarkable evolution and transformation of popular cinema over time.