British Drama 1533 1642

Download or read book British Drama 1533-1642: A Catalogue written by Martin Wiggins and published by . This book was released on 2012 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 4 covers the years 1598-1602 during which dramatic satire emerged, as well as the opening of the original Globe theatre in London.

Download or read book British Drama 1533-1642: A Catalogue written by Martin Wiggins and published by Oxford University Press, USA. This book was released on 2012-09-13 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.

Download or read book British Drama, 1533-1642 written by Martin Wiggins and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The British Drama written by and published by . This book was released on 1870 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Reading Drama in Tudor England written by Tamara Atkin and published by Routledge. This book was released on 2018-04-17 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible to market a play for leisure-time reading. Offering a detailed analysis of such features as title-pages, character lists, and other paratextual front matter, it suggests that even before the establishment of successful permanent playhouses, playbooks adopted recognisable conventions that not only announced their categorical status and genre but also suggested appropriate forms of use. As well as a survey of implied reading practices, this study is also about the historical owners and readers of plays. Examining the marks of use that survive in copies of early printed plays, it explores the habits of compilation and annotation that reflect the striking and often unpredictable uses to which early owners subjected their playbooks.

Download or read book Gender, Performance, and Authorship at the Abbey Theatre written by Elizabeth Brewer Redwine and published by Oxford University Press. This book was released on 2021-05-20 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender, Performance, and Authorship at the Abbey Theatre argues for a reconsideration of authorship at the Abbey Theatre. The actresses who performed the key roles at the Abbey contributed original ideas, language, stage directions, and revisions to the theatre's most renowned performances and texts, and this study asks that we consider the role of actresses in the development of these plays. Plays that have been historically attributed to W. B. Yeats and J. M. Synge have complicated histories, and the neglect of these women's contributions over the past century reflects power dynamics that privilege male, Anglo Irish writers over the contributions of working class actresses. The study asks that readers consider the importance of past performance in the creation of written text. Yeats began his earliest plays performing with and writing for Laura Armstrong, a young woman who was a precursor to Maud Gonne in her irreverent challenge to traditional gender roles. After writing his first plays and poems for Armstrong, Yeats met Gonne and developed two Cathleen plays, The Countess Cathleen and Cathleen ni Houlihan, for her to perform, beginning a lifetime of fruitful argument between the two writers about how Ireland should appear onstage. The book then turns to Synge's work with Molly Allgood in creating The Playboy of the Western World and Molly's contributions to Synge's Deirdre of the Sorrows. A section on Yeats's Deirdre shows the contributions of Lady Gregory and the play's performers. The book ends with a reconsideration of Abbey actress Sara Allgood's performances in British and American film as she brought her earliest work in the pre-Abbey tableau movement to American audiences in the 1940s, in ways that challenged ideas of Irishness, American identity, and aging women on screen.

Download or read book Shakespeare and Lost Plays written by David McInnis and published by Cambridge University Press. This book was released on 2021-03-25 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores Shakespeare's plays in their most immediate context: the hundreds of plays known to original audiences, but lost to us.