Alias Bob Dylan Revisited

Download or read book Alias Bob Dylan Revisited written by Stephen Scobie and published by Calgary : Red Deer Press. This book was released on 2004 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: At sixty years old, Bob Dylan is still singing the songs which for forty years have made him one of the most preeminent voices of our time. In this revised and much expanded edition of Stephen Scobie's landmark study of Dylan's work, the author covers all the stages of a remarkable career: from his incandescent impact on the mid-1960s, when Dylan revolutionized folk and popular music, to his later reinvention of himself as a traveling performer-the old blues musician whose work may no longer be fashionable but is still intensely relevant and rewarding.The 1991 edition of Alias Bob Dylan was hailed as a definitive study. The present volume is greatly revised, expanded and updated.

Download or read book Alias Bob Dylan written by Stephen Scobie and published by Red Deer, Alta. : Red Deer College Press. This book was released on 1991 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Re-Discover the most influential voice of our lifetime. Bob Dylan is still singing the songs which for decades have made him the most preeminent voice of our time. In this revised and much expanded edition of Stephen Scobie's landmark study of Dylan's work, the author covers all the stages of a remarkable career: from his incandescent impact on the mid-1960s, when Dylan revolutionized folk and popular music, to his later reinvention of himself as a traveling performer. Dylan's work is intensely relevant and rewarding. Rediscover Dylan with Stephen Scobie's outstanding portrait of this Noble Laureate. The 1991 edition of Alias Bob Dylan was hailed as a definitive study. The present volume is greatly revised, expanded and updated.

Download or read book All Along Bob Dylan written by Tymon Adamczewski and published by Routledge. This book was released on 2020-09-09 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: All Along Bob Dylan: America and the World offers an important contribution to thinking about the artist and his work. Adding European and non-English speaking contexts to the vibrant field of Dylan studies, the volume covers a wide range of topics and methodologies while dealing with the inherently complex and varied material produced or associated with the iconic artist. The chapters, organized around three broad thematic sections (Geographies, Receptions and Perspectives), address the notions of audience, performance and identity, allowing to map out the structure of feeling and authenticity, both, in the case of the artist and his audience. Taking its cue from the collapse of the so-called high-/ low culture split following from the Nobel Prize, the book explores the argument that Dylan (and all popular music) can be interpreted as literature and offers discussions in the context of literary traditions, or visual culture and music. This contributes to a nuanced and complex portrayal of the seminal cultural phenomenon called Bob Dylan.

Download or read book Invisible Now: Bob Dylan in the 1960s written by John Hughes and published by Routledge. This book was released on 2016-05-06 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.

Download or read book Dylan at Play written by Nina Goss and published by Cambridge Scholars Publishing. This book was released on 2011-05-25 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dylan at Play offers a selection of writings that can challenge and engross readers eager for new ways to meet the singularity of Bob Dylan’s work. We have no interest in competing with the almost numberless and ever-increasing quantity of critical and encyclopedic writing on Dylan. Our goal with this collection has been play and not categorizing or defining. We solicited material that might, in sum, create a vision of both reverent scrutiny and mischief. In this collection, you’ll find writers who generally are not already fixtures in the Dylan Criticism industry. Here you’ll meet a webmaster, theologians, a linguist, a poet, a polyglot, scholars and teachers. The writers in this collection have heard Dylan’s art calling to them through their particular frameworks of meaning and expression, and the pieces here are a result of their abilities to find the voices to respond to that call. We hope above all that readers of Dylan at Play will become inspired to invent and play with their own experiences of this artist.

Download or read book The Dylanologists written by David Kinney and published by Simon and Schuster. This book was released on 2014-05-13 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A joyous and poignant exploration of the meaning of fandom, the healing power of art, and the importance of embracing what moves you, “The Dylanologists is juicy…artfully told…and an often moving chronicle of the ecstasies and depravities of obsession” (New York Daily News). Bob Dylan is the most influential songwriter of our time, and, after a half century, he continues to be a touchstone, a fascination, and an enigma. From the very beginning, he attracted an intensely fanatical cult following, and in The Dylanologists, Pulitzer Prize–winning journalist David Kinney ventures deep into this eccentric subculture to answer a question: What can Dylan’s grip on his most enthusiastic listeners tell us about his towering place in American culture? Kinney introduces us to a vibrant underground: diggers searching for unheard tapes and lost manuscripts, researchers obsessing over the facts of Dylan’s life and career, writers working to decode the unyieldingly mysterious songs, fans who meticulously record and dissect every concert. It’s an affectionate mania, but as far as Dylan is concerned, a mania nonetheless. Over the years, the intensely private and fiercely combative musician has been frightened, annoyed, and perplexed by fans who try to peel back his layers. He has made one thing—perhaps the only thing—crystal clear: He does not wish to be known. Told with tremendous insight, intelligence, and warmth, “entertaining and well-written…The Dylanologists is as much a book about obsession—about the ways our fascinations manifest themselves, about how we cope with what we love but don’t quite understand—as it is a book about a musician and his nutty fans” (The Wall Street Journal).

Download or read book Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance written by Damian A. Carpenter and published by Routledge. This book was released on 2017-10-20 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both performer and society that reflects the times in which they played their outlaw roles.