The Matachines Dance

Download or read book The Matachines Dance written by Sylvia Rodríguez and published by Sunstone Press. This book was released on 2009 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Rodriguez explores the colorful, complex, and often enigmatic Matachines dance as it is performed today. In the Upper Rio Grande Valley of New Mexico, the Matachines is the only ritual dance performed in both Indian Pueblos and Hispano communities.

Download or read book The Matachines Dance written by Sylvia Rodríguez and published by . This book was released on 1996 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Previous studies of the Matachines dance dealt mainly with its origins, distribution, and descriptive details. Rodriguez's work instead focuses on the larger cultural, ecological, historical, and political-economic setting within which each community's performance is organized.

Download or read book We Dance for the Virgen written by Robert R. Botello and published by . This book was released on 2022 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The danza de matachines is a tradition with roots in the Spanish colonization of Mexico that summons history for Mexican, Chicano, and indigenous communities. The elaborate ritual, regalia, and practices associated with the tradition tell of the repeated appearances of Our Lady of Guadalupe to the Aztec Indian Juan Diego as she provided instructions for the building of a church. Matachines have been dancing in Mexico and portions of the southwestern United States for as long as 300 years, and various troupes in San Antonio date their beginnings to the late 1800s, as immigrants from Mexico brought the tradition to the southern reaches of Texas. In We Dance for the Virgen, Robert R. Botello, who participated in a family-based troupe from 2006 to 2019, reviews the history of the tradition while contrasting the troupe's internal changes in traditions with those originating from the larger social and political context of San Antonio. In Botello's words, this book "is as much about the dance and its history as it is about my transformation as a matachines dancer." Botello ultimately examines issues of cultural appropriation arising from the association of the troupe with the Roman Catholic Archdiocese of San Antonio, revealing the resilience in a tradition that has remained true to its origins across many generations of dancers.

Download or read book Dancing Across Borders written by Norma E. Cantú and published by University of Illinois Press. This book was released on 2009 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the first anthologies to focus on Mexican dance practices on both sides of the border

Download or read book Dancing with the Virgin written by Deidre Sklar and published by Univ of California Press. This book was released on 2001-03-16 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book -- at once personal and analytical -- explores, in vibrant detail and compelling depth, the capacity of movement to express the way that human beings experience their lives and identities. In recounting her exploration of a town in the American Southwest, Deidre Sklar examines themes common to cultures around the world."—Benjamin S. Orlove, editor of The Allure of the Foreign

Download or read book Dancing with Creation written by Martha Ann Kirk and published by . This book was released on 1983 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Aztecs, Moors, and Christians written by Max Harris and published by University of Texas Press. This book was released on 2010-01-01 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: In villages and towns across Spain and its former New World colonies, local performers stage mock battles between Spanish Christians and Moors or Aztecs that range from brief sword dances to massive street theatre lasting several days. The festival tradition officially celebrates the triumph of Spanish Catholicism over its enemies, yet this does not explain its persistence for more than five hundred years nor its widespread diffusion. In this insightful book, Max Harris seeks to understand Mexicans' "puzzling and enduring passion" for festivals of moros y cristianos. He begins by tracing the performances' roots in medieval Spain and showing how they came to be superimposed on the mock battles that had been a part of pre-contact Aztec calendar rituals. Then using James Scott's distinction between "public" and "hidden transcripts," he reveals how, in the hands of folk and indigenous performers, these spectacles of conquest became prophecies of the eventual reconquest of Mexico by the defeated Aztec peoples. Even today, as lively descriptions of current festivals make plain, they remain a remarkably sophisticated vehicle for the communal expression of dissent.