Popular Music And The Politics Of Hope

Download or read book Popular Music and the Politics of Hope written by Susan Fast and published by Routledge. This book was released on 2019-04-09 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: In today’s culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection of chapters that consider the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical. With analyses rooted in feminist and queer thought, contributors explore music from different genres and locations, including Beyoncé’s Lemonade, A Tribe Called Red’s We Are the Halluci Nation, and celebrations of Vera Lynn’s 100th Birthday. At a bleak moment in global politics, this collection focuses on the concept of critical hope: the chapters consider making and consuming popular music as activities that encourage individuals to imagine and work toward a better, more just world. Addressing race, class, aging, disability, and colonialism along with gender and sexuality, the authors articulate the diverse ways popular music can contribute to the collective political projects of queerness and feminism. With voices from senior and emerging scholars, this volume offers a snapshot of today’s queer and feminist scholarship on popular music that is an essential read for students and scholars of music and cultural studies.

Download or read book Music and Politics written by James Garratt and published by Cambridge University Press. This book was released on 2019 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Changes our picture of how music and politics interact through a rigorous and wide-ranging reappraisal of the field.

Download or read book Popular Music and the Politics of Novelty written by Pete Dale and published by Bloomsbury Publishing USA. This book was released on 2016-02-11 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular music, today, has supposedly collapsed into a 'retromania' which, according to leading critic Simon Reynolds, has brought a 'slow and steady fading of the artistic imperative to be original.' Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require 'the dictatorial power of a creation ex nihilo'. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut. Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of 'popular song', on the other hand, remain widely in practice today. This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?

Download or read book The Politics of Hope written by Arthur Meier Schlesinger and published by Princeton University Press. This book was released on 2008 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Politics of Hope and The Bitter Heritage brings together two important books that bracket the tempestuous politics of 1960s America. In The Politics of Hope, which historian Arthur Schlesinger, Jr., published in 1963 while serving as a special assistant to President Kennedy, Schlesinger defines the liberalism that characterized the Kennedy administration and the optimistic early Sixties. In lively and incisive essays, most of them written between 1956 and 1960, on topics such as the basic differences underlying liberal and conservative politics, the writing of history, and the experience of Communist countries, Schlesinger emphasizes the liberal thinker's responsibility to abide by goals rather than dogma, to learn from history, and to look to the future. Four years later, following Kennedy's assassination and the escalation of America's involvement in Vietnam, Schlesinger's tone changes. In The Bitter Heritage, a brief but penetrating appraisal of the "war that nobody wanted," he recounts America's entry into Vietnam, the history of the war, and its policy implications. The Bitter Heritage concludes with an eloquent and sobering assessment of the war's threat to American democracy and a reflection on the lessons or legacies of the Vietman conflict. With a new foreword by Sean Wilentz, the James Madison Library edition of The Politics of Hope and The Bitter Heritage situates liberalism in the convulsive 1960s--and illuminates the challenges that still face liberalism today.

Download or read book “This Is America” written by Katie Rios and published by Rowman & Littlefield. This book was released on 2021-06-10 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: In“This Is America”: Race, Gender, and Politics in America’s Musical Landscape, Katie Rios argues that prominent American artists and musicians build encoded gestures of resistance into their works and challenge the status quo. These artists offer both an interpretation and a critique of what “This Is America” means. Using Childish Gambino’s video for “This Is America” as a starting point, Rios considers how elements including clothing, hairstyles, body movements, gaze, lighting effects, distortion, and word play symbolize American dissonance. From Laurie Anderson’s presence in challenging authority and playing with traditional gender roles in her works, to the Black female feminism and social activism of Beyoncé, Rhiannon Giddens, and Janelle Monáe, to hip hop as resistance in the age of Trump, to sonic and visual variety in the musical Hamilton, the subjects are as powerful as they are topical. Rios explores the ways in which artists relate to and represent underrepresented groups, especially groups that are not traditionally perceived as having a majority voice. The encoded resistances recur across performances and video recordings so that they begin to become recognizable as repeated acts of resistance directed at injustices based on a number of categories, including race, gender, class, religion, and politics.

Download or read book Time and memory in reggae music written by Sarah Daynes and published by Manchester University Press. This book was released on 2013-07-19 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of ‘memory at work’ opens up a theoretical problem: the conceptualization of time and its relationship with memory.

Download or read book The Revolution’s Echoes written by Nomi Dave and published by University of Chicago Press. This book was released on 2019-10-02 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But, as Nomi Dave shows us in The Revolution’s Echoes, the opposite is also true: music can often support, rather than challenge, the powers that be. Dave introduces readers to the music supporting the authoritarian regime of former Guinean president Sékou Touré, and the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn’t just the result of state manipulation; even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution’s Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process.