Instrumental Music In Late Eighteenth Century Naples

Download or read book Instrumental Music in Late Eighteenth-Century Naples written by Anthony DelDonna and published by Cambridge University Press. This book was released on 2020-12-17 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates the cultivation of instrumental genres by Neapolitan musicians and its significant stature at the royal court. Drawing on archival documents and musical sources, it paints a compelling history of local instrumental music culture and contributes to a wider ethnographic portrait of Naples in the late eighteenth-century.

Download or read book String Virtuosi in Eighteenth-Century Naples written by Guido Olivieri and published by Cambridge University Press. This book was released on 2023-12-21 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compelling new study of instrumental music in early modern Naples and of the string virtuosi who disseminated it through Europe.

Download or read book Counterpoint and Partimento written by Peter van Tour and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples written by Anthony R. DelDonna and published by Routledge. This book was released on 2016-05-13 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.

Download or read book The Twelve-Note Music of Anton Webern written by Kathryn Bailey and published by Cambridge University Press. This book was released on 1991 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: This important new study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition adopted by Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her detailed analyses, however, Professor Bailey demonstrates a fundamentally traditional aspect to Webern's creativity, when describing his own music. Professor Bailey analyses all Webern's twelve-note works (from Op. 17 to Op. 31) i.e. the instrumental and vocal music written between 1924 and 1943. These analyses draw on sketch material recently made available at the Paul Sacher Foundation in Basel and include transcriptions of little-known drafts and sketches. A most valuable aspect of the book is the inclusion in appendices of such materials as a complete explanation of the row content of each work, the correct prime form of each of the rows from Op. 20 onwards, with a matrix constructed for each, and exhaustive row analyses.

Download or read book Mozart, the "Jupiter" Symphony, No. 41 in C Major, K. 551 written by Elaine Rochelle Sisman and published by Cambridge University Press. This book was released on 1993 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: This guide to Mozart's last and most celebrated symphony explores the historical background and aesthetic contexts of the work as well as the music itself. The early chapters examine the expectations of the symphony in Mozart's Vienna, Mozart's career in 1788 (the year of the three last symphonies), and the changing reception of the "Jupiter" over the subsequent two hundred years. A separate chapter is devoted to each movement of the symphony with musical discussion illuminated by a broad array of topics.

Download or read book Music, Society, Agency written by Nancy November and published by Academic Studies PRess. This book was released on 2024-02-20 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologists have increasingly taken a wide-angled lens on the study of music in society, to explore how it can be intertwined with issues of politics, gender, religion, race, psychology, memory, and space. Recent studies of music in connection with society take in a variety of musical phenomena from diverse periods and genres—medieval, classical, opera, rock, etc. This ten-chapter book not only asks how music and society are, and have been, intertwined and mutually influential, but it also examines the agents behind these connections: who determines musical cultures in society? Which social groups are represented in particular musical contexts? Which social groups are silenced or less well represented in music’s histories, and why?