Autobiography And Performance

Download or read book Autobiography and Performance written by Deirdre Heddon and published by Red Globe Press. This book was released on 2008 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a comprehensive overview of the use of autobiography in performance, this title uncovers the political potentials and limits that accompany the use of the personal in performance.

Download or read book Autobiography and Performance written by Deirdre Heddon and published by Red Globe Press. This book was released on 2008 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the relationship between past and present in performance, given that the performing body is tangibly present in the here and now? What is the relationship between performance and authenticity? Between live, apparently 'confessional' performance and supposedly 'reality' television? Autobiography in Performance will provide a broad overview of the key concepts pertaining to 'autobiography' in the field of performance. Heddon's engaging style seamlessly blends the theoretical and the personal, raising and pursuing provactive questions around issues of 'truth', 'identity', personal history and political agency, confession, voyeurism and ethics. The book provides case studies of key international practitioners, including Tim Miller, Lisa Kron, Bobby Baker and Curious.

Download or read book Interfaces written by Sidonie Smith and published by University of Michigan Press. This book was released on 2002 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charts the ways that woman artists have represented themselves and their life stories

Download or read book Performing Autobiography written by Katrina M. Powell and published by Springer Nature. This book was released on 2021-06-14 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Auto/biography: Narrating a Life as Activism analyzes the rhetorical strategies employed in five authors’ auto/biographical texts, examining their representations of identities and the public implications of writing individual identity. Exploring the ways race, class, culture, ethnicity, gender, and sexuality might affect the form(s) in which writers choose to write (e.g., memoir, fictional autobiography, poetry), questions how autobiographers challenge notions of genre, truth, and representation. This builds on the argument that constructing identity is a Performing Autobiography performance, one that can simultaneously use and subvert traditional notions of rhetoric and genre. By examining the auto/biographical texts of Zora Neale Hurston, Audre Lorde, Dorothy Allison, Joyce Johnson, and Shirley Geok-lin Lim together, the book theorizes self-representation and genres as rhetorical performances, and therefore their texts can be seen as “performative auto/biography”—transgressive archives where readers are asked to consider their own identities and act accordingly. In doing so, this book contributes to growing theories in feminist rhetorics and auto/biography studies, arguing that these performative genres advocate for life narratives as political and social activism.

Download or read book Theatre and Autobiography written by Sherrill Grace and published by Talonbooks. This book was released on 2006 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking exploration of a wide range of contemporary theorists and playwrights covers an extraordinary breadth of styles and performances.

Download or read book The Self in Performance written by Susana Pendzik and published by Springer. This book was released on 2017-01-10 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to examine the performance of autobiographical material as a theatrical form, a research subject, and a therapeutic method. Contextualizing personal performance within psychological and theatrical paradigms, the book identifies and explores core concepts, such as the function of the director/therapist throughout the creative process, the role of the audience, and the dramaturgy involved in constructing such performances. It thus provides insights into a range of Autobiographic Therapeutic Performance forms, including Self-Revelatory and Autoethnographic Performance. Addressing issues of identity, memory, authenticity, self-reflection, self-indulgence, and embodied self-representation, the book presents, with both breadth and depth, a look at this fascinating field, gathering contributions by notable professionals around the world. Methods and approaches are illustrated with case examples that range from clients in private practice in California, through students in drama therapy training in the UK, to inmates in Lebanese prisons.

Download or read book Voices Made Flesh written by Lynn C. Miller and published by Univ of Wisconsin Press. This book was released on 2003 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed. The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers--Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah--tell their own stories. Ranging from narrrative lectures (sometimes aided by slides and props) to theatrical performances, their works wrest comic and dramatic meaning from a world too often chaotic and painful. Their performances engage issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death, and war and peace. The volume as a whole highlights issues of representation, identity, and staging in autobiographical performance. It examines the links among theory and criticism of women's autobiography, feminist performance theory, and performance practice.