Semblance

Download or read book Before the Dawn: An AFK Book (RWBY, Book 2) written by E. C. Myers and published by Scholastic Inc.. This book was released on 2020-07-21 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the future-fantasy world of RWBY, Rooster Teeth's hit animated webseries, teens train to become warriors. Join the fight in this epic official, original novel from E.C. Myers and RWBY's head writers! A storm is coming...After their strange mission in the desert, Coco, Fox, Velvet, and Yatsuhashi are back at Shade Academy, doing some "extracurricular" work to track down The Crown, a mysterious force that's snatching up people with powerful semblances. The job should be easier with Team SSSN by their side, but The Crown continues to evade them. Out of options and worried that a bigger plot is in motion, CFVY and SSSN notify Theodore, the Headmaster of Shade Academy, but Theodore has problems of his own.Troubled by the disasters at Beacon and Haven Academies and struggling to support the flood of refugee students, Theodore declares a new initiation-including the formation of new teams to better unite the student body. Amid mounting tension at the school, CFVY and SSSN must contend with unfamiliar teammates and uneasy rivalries, all while The Crown plots their next move. Don't miss this exclusive, original story straight from award-winning author E.C. Myers and RWBY's head writers, Kerry Shawcross and Miles Luna!

Download or read book Semblance and Event written by Brian Massumi and published by MIT Press. This book was released on 2011-09-30 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of the “occurrent arts” through the concepts of the “semblance” and “lived abstraction.” Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of “semblance” as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: “lived abstraction.” A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented—variously known as interactive art, ephemeral art, performance art, art intervention—which he refers to collectively as the “occurrent arts.” Each art practice invents its own kinds of relational events of lived abstraction, to produce a signature species of semblance. The artwork's relational engagement, Massumi continues, gives it a political valence just as necessary and immediate as the aesthetic dimension.

Download or read book Semblance of Greed written by Desiree Flowers and published by iUniverse. This book was released on 2002-09-19 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do you deal with a doctor who seduces you with drugs when you aren't aware of it?

Download or read book Semblance Hypothesis of Memory written by Kunjumon I. Vadakkan and published by iUniverse. This book was released on 2010-10-18 with total page 117 pages. Available in PDF, EPUB and Kindle. Book excerpt: The semblance hypothesis explains how associative memory can result from the multidimensional semblance of activity from a specific set of presynaptic terminals at different orders of neurons. The hypothesized basic units are then examined for their feasibility to explain various physiological and pathological conditions of the nervous system, ranging from physiological time-scales of memory retrieval to plausible explanation for long term potentiation (LTP).

Download or read book The Semblance of Subjectivity written by Tom Huhn and published by MIT Press. This book was released on 1997 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance, or illusion, points to Adorno's links with Marx, Nietzsche, and Freud, the concept of subjectivity recalls his lifelong struggle with a philosophy ofconsciousness stemming from Kant, Hegel, and Lukacs.

Download or read book The Semblance of Identity written by Christopher Lee and published by Stanford University Press. This book was released on 2012-04-18 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of Asian American literature reveals the ongoing attempt to work through the fraught relationship between identity politics and literary representation. This relationship is especially evident in literary works which claim that their content represents the socio-historical world. The Semblance of Identityargues that the reframing of the field as a critical, rather than identity-based, project nonetheless continues to rely on the logics of identity. Drawing on the writings of philosopher and literary critic Georg Lukacs, Christopher Lee identifies a persistent composite figure that he calls the "idealized critical subject," which provides coherence to oppositional knowledge projects and political practices. He reframes identity as an aesthetic figure that tries to articulate the subjective conditions for knowledge. Harnessing Theodor Adorno's notion of aesthetic semblance, Lee offers an alternative account of identity as a figure akin to modern artwork. Like art, Lee argues, identity provides access to imagined worlds that in turn wage a critique of ongoing histories and realities of racialization. This book assembles a transnational archive of literary texts by Eileen Chang, Frank Chin, Maxine Hong Kingston, Chang-rae Lee, Michael Ondaatje, and Jose Garcia Villa, revealing the intersections of subjectivity and representation, and drawing our attention to their limits.

Download or read book The Sense of Semblance:Philosophical Analyses of Holocaust Art written by Henry W. Pickford and published by Fordham Univ Press. This book was released on 2013 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book's principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of alternative theories of meaning and understanding from the Anglophone analytic tradition. The book takes as its starting point the claim that Holocaust artworks must fulfill at least two specific yet potentially reciprocally countervailing desiderata: they must meet aesthetic criteria (lest they be, say, merely historical documents) and they must meet historical criteria (they must accurately represent the Holocaust, lest they be merely artworks). I locate this problematic within the tradition of philosophical aesthetics, as a version of the conflict between aesthetic autonomy and aesthetic heteronomy, and claim that Theodor W. Adorno's "dialectic of aesthetic semblance" describes the normative demand that a successful artwork maintain a dynamic tension between these dual desiderata. While working within a framework inspired by Adorno, the book further claims that certain concepts and lines of reasoning from contemporary philosophy best explicate how individual artworks fulfill these dual desiderata, including the causal theory of names, the philosophy of tacit knowledge, analytic philosophy of quotation, Sartre's theory of the imaginary, work in the epistemology of testimony, and Walter Benjamin's theory of dialectical images. Individual chapters provide close readings of lyric poetry by Paul Celan (including a critique of Derridean deconstruction), Holocaust memorials in Berlin, texts by the Austrian quotational artist Heimrad Bäcker, Claude Lanzmann's film Shoah and Art Spiegelman's graphic novel Maus. The result is a set of interpretations of Holocaust artworks that, in their precision, specificity and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art.