Contemporary Plays

Download or read book Gruesome Playground Injuries written by Rajiv Joseph and published by Dramatists Play Service Inc. This book was released on 2012 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE STORY: Over the course of 30 years, the lives of Kayleen and Doug intersect at the most bizarre intervals, leading the two childhood friends to compare scars and the physical calamities that keep drawing them together.

Download or read book Critical Perspectives on Contemporary Plays by Women written by Penny Farfan and published by University of Michigan Press. This book was released on 2021-07-22 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores how women playwrights illuminate the contemporary world and contribute to its reshaping

Download or read book Beyond Victims and Villains written by Victoria Lewis and published by . This book was released on 2006 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: First major anthology of dramatic work dealing with disabilities.

Download or read book Angels in America written by Tony Kushner and published by . This book was released on 2017-04-13 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This edition, published alongside the major revival at the National Theatre in 2017, contains both plays, Part One: Millennium Approaches, and Part Two: Perestroika.

Download or read book Play the Scene written by Michael Schulman and published by Macmillan. This book was released on 2004-12-07 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of over a hundred scenes and monologues from plays from the Elizabethan period to contemporary Tony Award winners.

Download or read book Contemporary Plays by African American Women written by Sandra Adell and published by University of Illinois Press. This book was released on 2015-12-15 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation. Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett.

Download or read book Mis-directing the Play written by Terry McCabe and published by Ivan R. Dee. This book was released on 2008-12-16 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Terry McCabe, himself an accomplished stage director and teacher of theatre arts, here attacks what he calls the growing decadence that plagues contemporary stage directing. He argues for a radical reorganization of the director’s view of his role. It has become an article of faith in the theatre, Mr. McCabe observes, that a play is about what the director chooses to have it be about. But what right does a director have to treat a play as a found object, to be reshaped to express the director’s concerns? None whatsoever, Mr. McCabe replies. He examines anecdotally a range of work by different directors by way of offering a substantial critique of today’s leading theory of stage directing, and he offers an alternate approach. He challenges the notion that a play is the director’s vehicle for self-expression, arguing that the idea of the director as centerpiece of the theatre tends to distort plays and oppress actors. He explores what it means to direct a play when directing is properly understood as a process of self-effacement. Mis-directing the Play examines the role of the director as collaborator with actors, designers, dramaturges, and playwrights. Throughout, the book’s focus is on shedding the counterproductive myth of the director as creative auteur and urging in its place a return to first principles: the idea of the director as the interpretive artist in charge of putting the playwright’s play onstage.