Art In Minutes

Download or read book A Legacy of Art written by Carol Lowrey and published by Hudson Hills. This book was released on 2007 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more than a century, a Gilded Age mansion on the south side of New York City's Gramercy Park has been home to the National Arts Club (NAC), its magnificent interior a refuge from hectic city life. In this special catalog, Lowrey, curator of the club's permanent collection, documents selected works by Artist Life Members, artists who were given lifetime memberships in the club in exchange for one of their works (the program ended in 1950 with the advent of the abstract expressionists). The father of well-known American sculptor Alexander Calder, Alexander Stirling Calder, was an Artist Life Member, and his sculpture of the painter George Bellows is among the many artworks included here. Also featured are an A-to-Z listing of Artist Life Members and a brief history of the NAC. The catalog section includes full-color reproductions and descriptions of the artworks as well as brief biographies of the artist. Many members' works show European influences, particularly impressionism and the Barbizon school, while others are distinctly American, as in the Ash Can school. A fine and fitting tribute to the NAC legacy that will be of interest to club, academic, and large public libraries. 75 colour & 175 b/w illustrations

Download or read book Proceedings of the Conferences: pt I. A. Introduction. B. Official instruments approved by the conference. pt. II. Minutes of plenary meetings. pt. III. Annexes written by and published by . This book was released on 1924 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Sessional Papers written by Great Britain. Parliament. House of Commons and published by . This book was released on 1901 with total page 824 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Art Wars written by Rachel N. Klein and published by University of Pennsylvania Press. This book was released on 2020-06-19 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.

Download or read book Peace and Persistence written by Mary Jane Heisey and published by Kent State University Press. This book was released on 2003 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work presents material about the Brethren in Christ, a small, little-known religious group. In addition to drawing from official church doctrine, statements and records, it also features a variety of authors in church-related publications, records of congregational life, and archival sources.

Download or read book The American Art-Union written by Kimberly A. Orcutt and published by Fordham Univ Press. This book was released on 2024-08-06 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.

Download or read book Department of State Publication written by and published by . This book was released on 1948 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt: